365天:今時之欲
勞拉和馬西莫?dú)w來,而且比以往任何時候都要熱辣。這對情侶久別重逢,但兩人的新開始卻因馬西莫的家庭關(guān)系和一名神秘男子而變得十分復(fù)雜。為進(jìn)入勞拉的生活以獲取她的芳心和信任,這個神秘男子將不惜一切代價。
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鬼們之蝴蝶大廈
尹馨,曹佑寧,馮淬帆,白潤音,蔡振南,莊凱勛,安心亞,曾莞婷河童之湄瀾怪談
龐玉龍,黃柏鈞,張沙沙,鄭曉民,何涌生奇逢敵手
舒淇,安志杰,任達(dá)華,黃卓玲,林雪,黃浩然,許紹雄,吳大維,杜汶澤,田蕊妮絕命孤城
施駿喆,婁宇瑤,徐永革,趙曉明,馮可犯罪現(xiàn)場調(diào)查完結(jié)篇:不朽
特德·丹森,喬雅·??怂?艾瑞克·茲曼達(dá),羅伯特·大衛(wèi)·豪爾,華萊士·朗翰,大衛(wèi)·伯曼,伊莉莎白·哈諾伊斯,喬·維爾內(nèi)爾,威廉·彼德森,瑪格·海根柏格,保羅·吉爾福伊爾,邁克爾·比奇,布瑞達(dá)·伍爾,凱蒂·史蒂文斯,Alexandra Barreto正面還是反面?
娜迪亞·特列什科維奇,亞歷桑德羅·博爾吉,約翰·C·賴?yán)?皮特·藍(lán)薩尼,米爾科·阿圖索,加布里埃萊·西里,吉昂尼·嘉科,羅伯特·阿蘭·帕卡德,喬吉?dú)W·曼涅提,薩蒂·勒潑因特,費(fèi)德里科·阿克羅尼,伊曼努埃拉·奧納吉,布魯諾·迪·吉奧瓦尼,塞弗里諾·斯佩蘭迪歐,杜門尼克·奇奧茲,薇歐拉·索爾達(dá)尼,克勞狄歐·卡斯托利同類推薦
老周夜驚情
王曉禹,麥霽雯,紀(jì)仁君,陳最,張洪銳,徐波,伊哲,阮妹陛,和善年過半百的養(yǎng)蜂人老周一生被金錢困擾,身患重病后不愿拖累在外打拼的兒子,獨(dú)自住進(jìn)一家老舊酒店,打算在最后一夜寫下遺書,安靜告別。 可這一晚,他卻接連迎來三位不速之客:行蹤詭異的房客、鬧得雞飛狗跳的年輕人、帶著熟悉氣息的少女。 三段荒誕又驚險的奇遇,讓老周親身經(jīng)歷了如同電影般的“犯罪”“鬧劇”“愛情”。他由此漸漸懂得,親情與真心,遠(yuǎn)比金錢更加珍貴。一夜之間,他對人生、對陪伴、對愛,都有了全新的答案。
我家的律師又惹麻煩了
室毅,木南晴夏,吉瀨美智子,菅野莉央,日向亙,入山法子,東根作壽英,本多力,早瀨憩,安達(dá)祐實(shí),村川繪梨,松尾諭,時任三郎,酒向芳,戶田惠子,渡部篤郎,濱津隆之由于杏(平手友梨奈 飾)轉(zhuǎn)往美國的法律事務(wù)所,藏前(室毅 飾)失去了負(fù)責(zé)照看的律師,因此被所長暗示即將終止契約。剛好此時,他得知人氣“藝能型律師”樋口新(木南晴夏 飾)正準(zhǔn)備從事務(wù)所獨(dú)立開業(yè)。藏前隨即親自上門請求:“請務(wù)必讓我在您手下工作?!痹诒凰齑饝?yīng)的當(dāng)場,他慌忙簽了文件,卻不知道這正是“地獄的開端”。
玄機(jī)衛(wèi)之鎮(zhèn)國神鼎
賀剛,袁福福,李夢穎,劉林城,寇振海,老羊,曉凡,陽蕾天降妖星,龍脈斷裂,蠱蟲肆虐。隱士白隱川被迫重出江湖,與瘋癲故友、雙面女禁衛(wèi)探地宮、破鎖龍陣,在權(quán)力棋局中,為人心而戰(zhàn)!
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
幽閉空間
杰森·帕特里克,路易莎·克勞瑟,馬克·馬戈利斯THE CONFINES is a claustrophobic thriller that follows a troubled young woman who, in a last-ditch effort at getting her life together, takes a job working nights as a security guard at an abandoned luxury apartment building. Stuck with a brusque rent-a-cop as her partner, she tries to not let her mind play tricks on her while she patrols the empty halls. But as the night progresses strange things begin to happen - and she realizes it may not all be in her head.