籠中女囚
英文名:Frauengefangnis 籠中女囚,又名;鐵窗性玩偶,立功劇情恐懼片。由杰索斯 ;佛朗哥執(zhí)導(dǎo),Lina Romay,Paul M等主演。1981年1月8日在美國(guó)上映。 正值青春年華的金發(fā)女郎瑪麗婭(Lina Romay 莉娜 ;羅梅 飾),她因被指控謀殺了對(duì)其欲行不軌的父親而鋃鐺入獄。然獄中的生活愈加黑暗,瑪麗婭被布置在一個(gè)臭名遠(yuǎn)揚(yáng)的牢房。這里充溢了暴力、優(yōu)待和騷擾,而女看守(Monica Swinn 莫尼卡斯文 飾)更是一個(gè)狂迷優(yōu)待的女同性戀,她每天的樂趣就是想盡奇招折磨瑪麗婭。 痛苦不堪的瑪麗婭偶爾得知?dú)⒏傅恼嬲齼词郑x擇色誘監(jiān)獄內(nèi)的男護(hù)理工,一步步實(shí)行流亡方案
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劇情簡(jiǎn)介
英文名:Frauengefangnis 籠中女囚,又名;鐵窗性玩偶,立功劇情恐懼片。由杰索斯 ;佛朗哥執(zhí)導(dǎo),Lina Romay,Paul M等主演。1981年1月8日在美國(guó)上映。 正值青春年華的金發(fā)女郎瑪麗婭(Lina Romay 莉娜 ;羅梅 飾),她因被指控謀殺了對(duì)其欲行不軌的父親而鋃鐺入獄。然獄中的生活愈加黑暗,瑪麗婭被布置在一個(gè)臭名遠(yuǎn)揚(yáng)的牢房。這里充溢了暴力、優(yōu)待和騷擾,而女看守(Monica Swinn 莫尼卡斯文 飾)更是一個(gè)狂迷優(yōu)待的女同性戀,她每天的樂趣就是想盡奇招折磨瑪麗婭。 痛苦不堪的瑪麗婭偶爾得知?dú)⒏傅恼嬲齼词?,她選擇色誘監(jiān)獄內(nèi)的男護(hù)理工,一步步實(shí)行流亡方案
同類好片
大佛普拉斯
莊益增,陳竹升,戴立忍,張少懷,陳以文,納豆,丁國(guó)琳,李永豐,朱約信,雷婕熙,林美秀,小亮哥,游安順,梁赫群,脫線,鄭宇彤,魯文學(xué)情圣3
肖央,譚卓,喬杉,常遠(yuǎn),張小婉,代樂樂,艾倫,王成思,范湉湉,李思博,劉大鎖,馮滿,小沈陽,王迅,瑪瑙假日旅館
平·克勞斯貝,弗雷德·阿斯泰爾,瑪喬麗·雷諾茲,弗吉尼亞·戴爾,沃爾特·艾貝爾,路易絲·比弗斯,歐文·培根白天是阿波羅,晚上是雅典娜
吉澤姆·比爾根,梅利·杜澤恩利,巴里斯·戈內(nèi)嫩,內(nèi)拉·卡亞巴西,拉爾·曼蘇爾,德尼斯·圖爾卡利,塞倫·烏柴爾,埃茲吉·切利克明明不是我!
阿部寬無法在你的臉上哭泣
芳根京子,高橋海人,西川愛莉,武市尚士,中澤元紀(jì),前原滉,林裕太,大塚寧寧,赤堀雅秋,片岡禮子,山中崇人氣佳作
不允許帶狗
卡洛·克拉姆林,羅賓·桑德曼,卡塔琳娜·瑪麗·舒伯特,斯蒂姆拜爾·蒙克,比內(nèi)塔·漢森,肖恩·道格拉斯,薩米·施賴恩,維拉·菲,麗莎·里斯納,奧勒·伊斯菲特,理查德·基普,卡塔琳娜·雷,拉爾夫·霍尼克,弗蘭茨·費(fèi)迪南德·克勞斯,卡特婭·烏菲爾曼,芬雷·德亞文重慶森林
林青霞,金城武,梁朝偉,王菲,周嘉玲養(yǎng)鬼吃人
敖德薩·阿德隆,杰米·克萊頓,亞當(dāng)·費(fèi)森,德魯·斯塔基,布蘭登·弗林,伊芙·海因德,杰森·萊爾斯,尹金·奧洛倫尼夫,賽琳娜·露,扎卡里·興,基特·克拉克,高蘭·維斯耶克,西婭姆·阿巴斯,普里德拉格·比耶拉克,戈麗察·瑞格迪克,武卡辛·約萬諾維奇,伊沃娜·庫(kù)斯圖迪奇,米奧德拉格·米洛瓦諾夫,尼古拉·肯特,凱蒂·戈伊科維奇靜水
泰勒·瑞特,Eric Michael Roy,卡蓮娜·布里奇,Paul Elia,Nino Aldi導(dǎo)演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
樂透大作戰(zhàn)
即將退伍的南韓兵長(zhǎng)千禹(高庚杓 飾),某天意外在緊繃的南北韓軍事線附近,撿到一張飄向自己的頭獎(jiǎng)彩券,之后卻一個(gè)不小心,讓這張彩券乘風(fēng)飄向無法涉足的北韓…。為了靠57億獎(jiǎng)金實(shí)現(xiàn)退伍夢(mèng)想,他使出渾身解數(shù)尋找彩券,沒想到竟被北韓士兵榮浩(李伊庚 飾)給撿到…。跟彩券擦身而過的 千禹,以及在北韓不過是張紙片,必須到南韓把彩券換成獎(jiǎng)金的榮浩,再加上意想不到的成員們共同加入,雙方為了死守這57億巨額獎(jiǎng)金,決定“越線”展開驚險(xiǎn)刺激的機(jī)密協(xié)商······
登帕卡農(nóng)
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