即刻觀影
劇情賞析
編輯推薦
致命錄像帶：超越
戴恩·迪利格羅,阿拉娜·皮爾斯,利比·萊特洛,米奇·霍洛維茨,納姆拉塔·謝斯,鮑比·斯萊斯基,馬修·雷頓,布蕾登·布魯納,湯姆·哈勒姆,詹姆斯·C·伯恩斯,喬琳·安德森,Brian Baker,Trevor Dow,Gerry Eng,薩姆·戈?duì)査够?尼科·普金格,雷恩·韋奇曼,Tyler Andrews,瓦斯·普羅瓦塔基斯,菲利普·安德瑞·波鐵洛,Michael J. Sielaff,Morgan Chancelien,Chris Page,艾倫·馬克森,Blaine Magee,Morgan Mage通過一部偽紀(jì)錄片《未解之謎》五個(gè)故事娓娓道來：警察進(jìn)入古宅尋找孩子遭遇神秘生物；一群印度狗仔隊(duì)發(fā)現(xiàn)寶萊塢女星并非鏡頭般光鮮亮麗；幾個(gè)朋友必須在遭遇外星人入侵之后與客機(jī)相撞的高空跳傘中幸存；動物權(quán)利組織闖進(jìn)痛失愛犬的女士住宅后將經(jīng)歷至暗時(shí)刻；以及一位沙漠中的母親調(diào)查莫哈韋沙漠幽浮飛船后成為飛船偷渡者……
惡靈重喪
Joshua Suherman,Irsyadillah,Annette Edoarda5個(gè)寄養(yǎng)兄弟姐妹團(tuán)聚回憶，突然經(jīng)歷了一場災(zāi)難。最小的妹妹無法得救。事故發(fā)生后，四個(gè)兄弟姐妹被最小的妹妹嚇壞了。靈媒說，小妹妹不冷靜，她有話要說。四個(gè)兄弟姐妹發(fā)現(xiàn)了，這是什么？
零食小屋
加布·拉貝爾,David Costabile,米卡·阿卜杜拉內(nèi)布拉斯加州，1991年，兩個(gè)最好的朋友有機(jī)會經(jīng)營游泳池小吃店，后來成為越軌、娛樂、個(gè)人發(fā)現(xiàn)和浪漫的完美場景。
大怪獸空中戰(zhàn) 加美拉對混沌鳥
笠原玲子,上田吉二郎,本鄉(xiāng)功次郎毎年夏と冬に怪獣映畫を公開する東寶との直接対決を避けて春休みに公開することになった“ガメラ“シリーズ。富士火山帯の活動で出現(xiàn)したギャオスは、名古屋を火の海にするが、炎を好むガメラが現(xiàn)れ、陸?海?空を舞臺に死闘が展開される。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
停滯
Dan Palmer,Tamaryn Payne,Mark Holden講述一個(gè)看門人被困在一個(gè)女廁所，遇到一批僵尸的攻擊……