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驚魂繡花鞋
何乙軒,劉漢兆,輝燦,周昕妤,郭亞菲,郭玉英,賈明瑛雙龍出海
吳耀漢,葉德嫻,惠英紅雉岳山
尹均相,金叡園,延濟(jì)旭,裴格林雛菊2006
全智賢,鄭雨盛,李成宰,姜大衛(wèi),林迪安正義的子彈
丹尼·特雷霍,Timur Turisbekov,Doroteya Toleva,雅娜·梅里諾娃,Semir Alkadi,Neli Andonova,Dinko Angelov,Gergana Arolska,Ester Chardaklieva,Svetlio Chernev,Dara Kandi,Dumisani Karamanski,Vei Fan Li,Alexander Ralfietta,Dessy Slavova走心男
權(quán)相佑,文彩元人氣佳作
煉獄校園
賈瑞德·科恩,Kelly McCart,Katrina Grey,Kat Ingkarat,Anastasia Maslova,Panipak Jaemmangkang,Suebpong Kulsathaporndhai,Matt Milotich,Christiana Chaiwanna,Chaleeya Kaawjinda,Patita Seeda,Sivakorn Virojanadul情圣3
肖央,譚卓,喬杉,常遠(yuǎn),張小婉,代樂樂,艾倫,王成思,范湉湉,李思博,劉大鎖,馮滿,小沈陽,王迅,瑪瑙金發(fā)
巖田剛典,白鳥玉季,門脅麥,山田真步,田村健太郎,內(nèi)田慈正直的候選人2
羅美蘭,金武烈,尹敬浩,徐現(xiàn)宇,樸真珠,尹斗俊導(dǎo)演精選
摩登衙門
掙爆與大口環(huán)這對(duì)妙探﹐在一宗集團(tuán)搶劫案中立功﹐調(diào)職風(fēng)化群組﹐掙爆更因此升職沙展。兩人因在辦案中受獎(jiǎng)﹐決定換車加薪﹐因而認(rèn)識(shí)車行太子爺KK仔從而引出一波未平﹐一波又起……
外星人爆發(fā)
In a small rural community local police officers Zoe and Patrick begin their shift as normal but it soon becomes clear that something is wrong. Strange events unfold before their eyes, residents begin behaving strangely and mass suicide panic spreads amongst the community they are trying to protect. Zoe and Patrick realise they are under siege from alien machines as they become cut off from the outside world. They are forced to do battle against these uninvited visitors. With the help of some of the residents Zoe and Patrick begin unravelling the mystery and soon discover it is not all as it seems. Can Zoe and Patrick save their community and the outside world from extinction? 在一個(gè)小的農(nóng)村社區(qū)，當(dāng)?shù)鼐熳粢梁团撂乩锟碎_始正常換班，但很快就清楚出了問題。奇怪的事情展現(xiàn)在他們眼前，居民開始奇怪的行為，大規(guī)模的自殺恐慌在他們?cè)噲D保護(hù)的社區(qū)中蔓延。佐伊和帕特里克意識(shí)到，當(dāng)他們與外界隔絕時(shí)，他們正受到外來機(jī)器的圍攻。他們被迫與這些不速之客作戰(zhàn)。在一些居民的幫助下，佐伊和帕特里克開始解開這個(gè)謎團(tuán)，很快發(fā)現(xiàn)它并不像看上去的那樣。佐伊和帕特里克能拯救他們的社區(qū)和外部世界免于滅絕嗎？
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster