30個夜晚

DB

來自河北廊坊的說唱少年，王笑，因一次意外打架事件背負巨額欠款。王笑母親在不明真相的情況下替王笑支付了該筆欠款，王笑知道后和母親大吵一架并且決定前往北京打工還債。來到北京之后王笑接連租房受騙，感情受挫，說唱事業(yè)也無法繼續(xù)發(fā)展，而且再次欠下巨額欠款。王笑該如何面對這一切？

超級精英

　　路易、丹和Kelliah三名學生在一個最佳法國商業(yè)學校進行了培訓,以使他們成為明天的精英階層的決心……

地獄迪斯科

　　一對年輕夫婦準備燒毀洛杉磯最熱門迪廳的舞池，結(jié)果召喚出一股渴望未出世嬰兒的黑暗力量

肖菲勒

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster