花蕊紋身
歌舞伎家庭出身的吉野美智代(谷ナオミ 飾)自由生活在傳統(tǒng)、古樸的環(huán)境氛圍之中,她早年分外迷戀《京鹿子娘道成寺》的主角尾形珠三郎(花柳幻舟 飾)。后來她成為江戶千代之人形師的續(xù)弦,婚后僅僅半年,丈夫便一命歸西。美智代自此守身如玉,獨自撫養(yǎng)繼女宇子(北川たか子 飾),并且繼承了丈夫人形制作的手藝。十多年過去,宇子已經出落成漂亮的大姑娘,她和繼母親密無間,沒有任何隔閡。 一個意外影響了母女倆的感情。某批發(fā)商曾羞辱美智子,當他再次欲行輕薄時偏巧被宇子撞見。宇子誤以為母親將行改嫁,生氣地跑出屋子,結果被一位俊朗青年撞傷。這個名叫秀夫(中丸信 飾)的青年正是珠三郎的兒子。美智代沉寂多年的愛火被秀夫重新點燃,她為此在身上刺下《娘道成寺》的圖案
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Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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