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驚魂繡花鞋
何乙軒,劉漢兆,輝燦,周昕妤,郭亞菲,郭玉英,賈明瑛一雙繡花鞋，隱藏著一個死亡詛咒，凡是穿過繡花鞋的人都意外慘死，無一幸免。安雯（何乙軒 飾）大病未愈，擺脫了丈夫潘航（輝燦 飾）和醫(yī)生的看護，獨自逃回老家古宅生活。安雯在老宅發(fā)現(xiàn)了一雙祖上流傳并受到死亡詛咒的繡花鞋，陰差陽錯之下繡花鞋穿在了她的腳上，意外開啟了繡花鞋上的死亡詛咒。咒怨生效冤魂索命，盤桓在老宅之中的詭影無處不在，無法擺脫的惡靈如影隨形，迫使頻臨崩潰的安雯做出瘋狂的舉動，陷入一場危機四伏的驚魂逃亡……
比佛利拜金狗2
馬庫斯·科洛馬,艾琳·卡希爾,蘇珊·布萊克利,露貝·安緹維洛,卡斯圖羅·格雷拉,蘭斯·霍華德,伊蓮·亨德里克斯,布賴恩·斯特帕尼克,菲爾·劉易斯,弗倫奇·斯圖爾特,摩根·費爾切爾德,克拉克·弗里曼,帕特·阿桑蒂,George Russo,Jose Hernandez,喬治·洛佩茲,奧黛塔·安納布爾,米蓋爾·弗爾,埃涅·赫德森,扎克瑞·戈登,艾米麗·奧斯蒙特,麥迪森·佩蒂絲,湯姆·肯尼,洛雷塔·迪瓦恩,布麗奇·門德勒,艾莉莎·米蘭諾,喬恩·多納休,喬·胡爾特拉斯,羅密·羅斯蒙特,蘇珊·格拉漢姆,克里斯蒂娜·《比佛利拜金狗2》雖然不像首集一般安排上戲院放映，但製作規(guī)格各方面也都比照當初的電影，同樣是運用電腦科技讓狗狗們開口說話演戲。本片的故事內(nèi)容則是接續(xù)原本的第一集最后，敘述終成眷屬的吉娃娃伴侶 Papi 和 Chloe 如今共組家庭，但是他們的冒險可沒有因此結束喔！沒多久五隻小狗狗們 就報到了，Papi 和 Chloe 成天開始忙著應付這些小鬼頭，防止他們闖禍，給人類主人以及鄰居帶來不必要的麻煩。而且他們的挑戰(zhàn)還不僅於此，這次雖然沒有翻山越嶺，但即使在比佛利本地也會面臨許多冒險，面對一隻嬌嬌狗的挑釁，吉娃娃們還必須登上狗狗名模伸展臺，讓比佛利狗狗時尚界大開眼界！
反叛行動
麗茲·格林尼,梅根·布恩,思凱·卡茨,菲利普·文切斯特,阿麗克斯·維拉雷特,Ollie Roddy,Kaine Buffonge,Will Pierson,約納斯·阿姆斯特朗,Errol Trotman-Harewood,Orlin Pavlov,Hristo Mitzkov,馬克斯·克勞斯,Charlotte Weston,Alexsandria Ralev,瑪麗安娜·斯塔尼切娃,內(nèi)森·庫珀,伊麗莎白·吉布森,丹·凱德,Anaya Yalamov,William Smalley,Todor Todoro一名冷酷且訓練有素的殺手，自幼被培養(yǎng)于一個名為 The Internship 的 CIA 最高機密項目中。多年后，她決定摧毀這個奪走自己青春的機構。她召集昔日的“實習生”同伴，發(fā)動了一場血腥的反抗行動——迫使 CIA 動用同樣致命的力量來鎮(zhèn)壓他們。
被撓
大衛(wèi)·法里爾,迪倫·里夫,大衛(wèi)·斯塔爾,哈爾·卡普,戴維·達馬托網(wǎng)絡上流傳著關于“撓癢”的神秘競技，一個同志想?yún)⑴c這場“撓癢癢大賽”卻被告知此運動僅限直男。記者大衛(wèi)·法里爾(David Farrier)深入探尋后發(fā)現(xiàn)“撓癢”的背后是一條完整的灰色產(chǎn)業(yè)鏈，這其中不僅有撓癢視頻的制作方對演員的壓榨與侵害，甚至還能看到美國由金錢操縱的階級制度的冰山 一角。 本片曾獲得2016年第32界圣丹斯電影節(jié)世界電影單元紀錄片評審團大獎提名?！ ∫粓觥皳习W”的運動，卻讓人笑不 出來。
斗爭之日
楊子英,拉迪卡·艾普特,納威恩·安德利維斯,梁振邦,托比·華萊士,席亞拉·博拉沃,Marny Kennedy,克萊爾·普萊斯,奧拉米德·坎迪德-約翰遜,Dieudonne? Ngabo,Samson Coulter,阿什·亞斯本切克,Ali Fardi,Ash Barba26歲的約翰·艾倫·周決心完成自己的人生使命，他踏上了一場橫跨全球的危險征程，試圖讓北森蒂納爾島那些與世隔絕的部落族人皈依基督教。與此同時，安達曼群島的一名警探正爭分奪秒地想要阻止他，以防他對自己或這個部落造成傷害。 影片改編自真實故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.