色即是空

評分：9.5 播放：06萬 更新：2026-04-27

服完兵役的高齡大學(xué)生恩植（任昌丁飾）就讀于法律系，校園里滿是對性充滿好奇的年輕男女。可惜外表憨直的他沒有什么女人緣，腦筋也是不大好使。一次偶然機(jī)會(huì)，恩植認(rèn)識了學(xué)校健身俱樂部的頭牌隊(duì)員、校花級美女銀孝（河智苑飾），他立馬被對方的美貌性感吸引。恩植想盡辦法接進(jìn)銀孝，博取好感，卻都以失敗告終，甚至引發(fā)許多誤會(huì)，比如在公車上，他被銀孝當(dāng)成色狼一腳踢中要害。

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Thomas Dekker,Robert Englund,Fiona Dourif

　　A doctor works to cure patients suffering from crippling phobias by placing them inside his invention which induces and controls hallucinations. 

妖星哥拉斯

池部良,白川由美,久保明,水野久美,平田昭彥

　　不明妖星哥拉斯在茫茫宇宙中不斷前進(jìn)，沿途吸附大量的星際飛行物，不斷的變龐大，日本的觀測宇宙船隼號，為了探明其質(zhì)量大小，不幸被一起吸附，但是其在最后關(guān)頭向地球發(fā)出了其質(zhì)量數(shù)據(jù)，使地球上的人對其有了個(gè)初步認(rèn)識，后經(jīng)科學(xué)家計(jì)算測定，其質(zhì)量為地球的６１００倍，而且將在４５天后與地球相撞?！　樽柚沟厍蚺c哥拉斯的相撞，科學(xué)家想出了一個(gè)大膽的辦法，就是運(yùn)用水素離子裝置在南極造一個(gè)噴射基地（類似與火箭發(fā)射器），讓地球動(dòng)起來，在哥拉斯到來之前，使地球移動(dòng)到其他軌道．等哥拉斯安全通過后，然后在北極在建個(gè)基地，使地球在回到原來的預(yù)定軌道?！　∮?jì)劃實(shí)施的非常順利，全世界各國在國聯(lián)的帶領(lǐng)下在南極建立了基地，但是由于在南極建造基地，在火焰發(fā)生器的作用下讓長眠在南極的海象怪獸蘇醒了，并破壞了一部份基地，后來，在飛機(jī)導(dǎo)彈的攻擊下，怪獸死了，但由于怪獸的破壞，火箭發(fā)生器推遲了時(shí)間，到底地球能不能脫離哥拉斯的吞噬呢？

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

召喚藍(lán)寶寶

瓦萊麗亞·圣馬丁,賈斯蒂娜·塞瓦略斯,丹妮拉·弗洛姆鮑姆

　　校園里的一場大冒險(xiǎn)演變成了都市傳說。當(dāng)青少年們召喚“藍(lán)寶寶”時(shí)，某種東西回應(yīng)了他們。這場游戲蔓延開來，留下的是悲傷和私語。阻止它意味著要面對第一次召喚，以及被召喚的代價(jià)。