劇情縱覽
返回從恐怖的戰(zhàn)爭(zhēng)中,一名士兵試圖重新把重點(diǎn)放在他的寫(xiě)作,但無(wú)濟(jì)于事。當(dāng)他遇到一個(gè)年輕的孤兒的女孩名叫伊娃時(shí),他發(fā)現(xiàn)自己越來(lái)越多地被吸引到她,但她蓬勃發(fā)展的性取向只是剛剛開(kāi)始......
返回從恐怖的戰(zhàn)爭(zhēng)中,一名士兵試圖重新把重點(diǎn)放在他的寫(xiě)作,但無(wú)濟(jì)于事。當(dāng)他遇到一個(gè)年輕的孤兒的女孩名叫伊娃時(shí),他發(fā)現(xiàn)自己越來(lái)越多地被吸引到她,但她蓬勃發(fā)展的性取向只是剛剛開(kāi)始......
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
幾十年前,一對(duì)年幼的兄妹在自家的小屋里慘遭殺害,唯一可能犯案的,是當(dāng)時(shí)在那里度假的寄宿學(xué)生,然而,因?yàn)樽C據(jù)不足,最終這群學(xué)生們未能被定罪,小屋案成為了未破的懸案,而當(dāng)年負(fù)責(zé)此案件的警探卡爾(尼古拉·雷·卡斯 Nikolaj Lie Kaas 飾)也因此一蹶不振,這宗疑點(diǎn)重重的案件成為了他的一塊心病?! ∫换窝蹘资赀^(guò)去,當(dāng)年的寄宿學(xué)生們已經(jīng)長(zhǎng)大成人,活躍在上流社會(huì)之中,雖然他們衣冠楚楚風(fēng)度翩翩,但實(shí)際上,他們扭曲的心靈早就令這些人成為了野獸,唯有在殺戮中才能獲得快感。當(dāng)卡爾重拾曾經(jīng)的懸案之時(shí),危險(xiǎn)也在一步一步的接近著他和他的家人們。
香德祖(成奎安 飾)是一名香港皇家警察,他的老婆(王小鳳 飾)懷孕待產(chǎn),夫妻二人親密非常。這一日,他們?nèi)メt(yī)院檢查的路上,遭遇一伙銀行劫匪。出于職責(zé),香拋下妻子奮勇上前追擊。經(jīng)過(guò)一番追車(chē)和搏斗,香制服歹徒,卻被匪首暗算,致使鋼筋穿胸而死,尸體被埋于亂鐵之中。是夜,一只黑貓?zhí)舷愕纳眢w,剛好猛雷劈下,香竟奇跡般復(fù)蘇,變成活脫脫的僵尸。他復(fù)活后力大無(wú)比,但害怕陽(yáng)光,還需要定期充電。香自知時(shí)日無(wú)多,決定對(duì)妻子隱瞞這個(gè)秘密,并將銀行劫匪繩之以法?! ×硪环矫?,匪徒當(dāng)初逃跑時(shí)劫持少女Gucci(葉蘊(yùn)儀 飾)為人質(zhì),混亂中Gucci拿著裝錢(qián)的箱子逃跑。憤怒的劫匪四下尋找Gucci,當(dāng)他們得知香還在人間之時(shí),一番正邪大戰(zhàn)在所難免……
一對(duì)夫妻在他們的土地里挖掘出一座古墓后,圍繞著一條被詛咒的項(xiàng)鏈和一個(gè)充滿復(fù)仇之心的鬼魂,發(fā)生了一連串恐怖事件……