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動(dòng)物僵尸
Ione Butler,安德魯·阿斯珀,La La Nestor,Kim Nielsen,Marcus Anderson,Brianna Joy Chomer,Ivan Djurovic,亞倫·格羅本,Kaiwi Lyman,William McMichael,Reuben Uy,Isaac Anderson,Tammy Klein,Cedric Jonathan,Joe Conti動(dòng)物園準(zhǔn)備開放，聘請(qǐng)一班實(shí)習(xí)生到訪實(shí)習(xí)，沒想到一種神秘病毒在動(dòng)物園內(nèi)開始蔓延爆發(fā)，全動(dòng)物園的動(dòng)物因而變成噬血活尸，成了真正的尸樂園，現(xiàn)在園區(qū)內(nèi)的幸存者除了得想辦法逃出生天外，還必須阻止這群饑腸轆轆的動(dòng)物活尸走出園區(qū)……
匹配
土屋太鳳,佐久間大介,金子統(tǒng)昭,真飛圣,后藤剛范,片山萌美,片岡禮子,杉本哲太,齊藤由貴影片是一部圍繞約會(huì)匹配軟件展開的原創(chuàng)懸疑片，戀愛方面晚熟的婚禮策劃人輪花（土屋太鳳 飾）被同事推薦了配對(duì)APP，雖然和一位男士匹配成功，但是出現(xiàn)在約會(huì)中的他卻和照片完全不一樣。與此同時(shí)，發(fā)生了針對(duì)APP用戶的連環(huán)殺人事件，事件朝著意料之外的方向發(fā)展，魔爪也漸漸逼近了輪花...佐久間大介飾演與主人公·輪花相遇，糾纏不休的跟蹤狂·永山吐夢(mèng)。
拼桌
王傳君,江疏影,李雪琴,鄭云龍,傅首爾,劉佳,王彩平,杜家毅,吳冕,白舉綱,老四,田小潔,羅海瓊,齊溪,許齡月,葵葵對(duì)美食有著獨(dú)特見解的“碼農(nóng)”陸拾谷（王傳君 飾），與經(jīng)常用美食治愈生活的圖書編輯張嘉怡（江疏影 飾），因午飯時(shí)的拼桌意外結(jié)識(shí)，在一起尋找更多美味的經(jīng)歷下，兩人逐漸成為彼此味覺和心意相投的“飯搭子”。陸拾谷默默按照母親的心意生活、工作，可心中卻翻涌著無(wú)限波濤，張嘉怡的圖書編輯工作、感情生活紛紛遇到瓶頸，在都市的煙火氣，牛馬打工人的迷茫中，拾谷與嘉怡最終會(huì)在味蕾與真心的指引下如何完成自我的成長(zhǎng)？二人間又會(huì)產(chǎn)生怎樣宿命般的羈絆？一道色香味俱全的真香菜肴只待觀眾“嘗鮮”！
團(tuán)戰(zhàn)之夜
山姆·洛克威爾,史蒂夫·馬克,坦婭·范·格拉恩,卡西爾·伊托克-威尼克,朱諾·坦普爾,邁克爾·佩納,海莉·露·理查森,莎姬·貝茲,阿西姆·喬杜里,湯姆·泰勒,Adam Burton,迪諾·費(fèi)切爾,喬治婭·古德曼,康拉德·坎普,邁克·加薩威,安娜·阿克頓,露露·泰勒,艾莉·康德倫,多米尼克·馬厄,大衛(wèi)·斯圖爾扎克故事圍繞著一個(gè)“來(lái)自未來(lái)的人”（山姆·洛克威爾 飾）展開，他來(lái)到洛杉磯的一家小餐館，在那里他必須招募一群心懷不滿的顧客，與他一起完成一個(gè)為期一晚、跨越六個(gè)街區(qū)的任務(wù)，以拯救世界免受流氓人工智能的終極威脅。
走心男
權(quán)相佑,文彩元影片翻拍自阿根廷電影《膝下無(wú)子》，講述了高中時(shí)期遇見初戀的男人無(wú)意間將家庭史變成秘密而展開的一系列風(fēng)波浪漫喜劇故事。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster