影片推薦
科學怪人的怪獸 山達對蓋拉
ラス?タンブリン,睦五郎,佐原健二,水野久美網(wǎng)絡迷宮
克里斯多弗·蘭伯特,迭戈·阿巴坦托諾,斯特凡妮婭·羅卡趕山人傳奇
鬼影2025
Vino G. Bastian,Anya Geraldine,尼肯·安賈尼,唐尼·阿蘭西亞,安德里·馬沙迪,Rangga Nattra,Nugie,魯克曼·羅薩迪,Dewi Gita,Michelle Tahalea,Agus Mahesa,Iyang Darmawan,Angie Ang,Bayu T.,Megarita,Rinni Ruyono,Gabriella Cecilia,Widyawati,Dian Nova,Nesia Nuari要是晴天就好了
永野芽郁,芳根京子,萩原利久,江口德子,稻垣吾郎,倍賞美津子,吉行和子,藤間爽子,豐島花,富山繪里子,布施千賀子,高橋努,白本彩奈,宮澤美保瘋狂的兔子
柳田,趙夢洋,陳述,崔岳,黃迎,常藍天同類精選
銀瀑
James Ralph,艾瑞克·阿瓦利 Erick Avari,史蒂夫·巴西奇 Steve Bacic,杰德·拉姆西 Jade Ramsey,詹姆斯·C·伯恩斯,妮基塔·拉姆西 Nikita Ramsey,Alix Gitter,Tadhg Kelly,塔拉·維斯特伍德,James Cavlo請求救援
瑞秋·麥克亞當斯,迪倫·奧布萊恩,布魯斯·坎貝爾,丹尼斯·海斯伯特,澤維爾·塞繆爾,吳育剛,艾瑪·雷米,Edyll Ismail,塔內·瓦拉庫努婁,布拉德·弗萊特秒速5厘米真人版
松村北斗,高畑充希,森七菜,青木柚,上田悠斗,白山乃愛,木龍麻生,宮崎葵,吉岡秀隆,岡部敬史,中田青渚,田村健太郎,戶塚純貴,蓮見翔,又吉直樹,堀內敬子,佐藤緋美,白本彩奈魔力,魔力
艾米莉·布朗寧,邁克爾·塞拉,朱諾·坦普爾,卡塔琳娜·桑地諾·莫雷諾,阿古斯丁·席爾瓦我能有個見證人嗎
Keira Jang,吳珊卓,里斯·普雷斯利,Elmira Bashash,喬爾·歐萊特,Zaa Nkweta,Shaz Far,Casey Kenneth Wright,森田友希,本杰明·拉特納,派崔克·蓋勒,Naika Toussaint,安德烈·安東尼,多米尼克·盧基·馬泰爾,奧斯卡·查克,裘德·威爾遜,Cassandra Sawtell,特德拉·羅杰斯,Ally Battaggia,Kymo Van Oers毛骨悚然撞鬼經(jīng) 2021特別篇
橋本環(huán)奈,恒松祐里,山中崇,與田祐希影視排行
河東獅吼
張柏芝,古天樂,范冰冰,黃偉文,許紹雄,張錦程,黃浩然,毛堅月娥(張柏芝)是宋朝年間的烈女,武功了得,行俠仗義,追求專一的愛情和婚姻。一日在演詩會上偶遇一表人才的陳季常(古天樂),二人互生情愫。碰巧皇上為二人賜婚,成全了美好姻緣。但是考驗二人感情的時候才剛剛開始——月娥為管住夫君,對季常管束甚嚴。但適得其反,季常在風流好友蘇軾(許紹雄)的帶領下經(jīng)常去尋花問柳。月娥萬般無奈,幸好用計試探,終得知季常仍深愛自己。但是,當月娥外出歸來,卻發(fā)現(xiàn)季常舊病復發(fā),竟搭上了郡主(范冰冰)。月娥悲憤交加,喝下了忘情水。
貓小姐莫西
芭芭拉·薩拉菲安,Sarah Bannier,彼特·恩布雷希茨莫西小姐和她的貓朋友們看不起每個“與眾不同”的人。有一天,她和她心愛的人類Joosje(8歲)和她的父母去了法國。女房東Rita非常想和她的狗Tuur一起贏得《動物達人秀》。她看到音樂劇《莫西小姐》,當家人需要回家時,她綁架了她。莫茜小姐逃跑了。在路上,她遇到了兩個不太可能的旅行伙伴:Ayo,一只老燕子和Tuur。在他們的共同冒險中,莫西小姐意識到她的舊觀點是錯誤的,她理解真正的友誼意味著什么。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
假面復仇
Marco Giallini,Edoardo Leo,Catrinel Marlon騙子離開大衛(wèi)破產(chǎn),失業(yè)& -他的女朋友。所以他開始找到騙子但是復仇并不是在他的腦海中。