雙人床
由《八月濕砂》的藤田敏八導(dǎo)演、《赫發(fā)之女》的荒井晴彥編劇，于1983年上映的情色電視劇。R18+指定作品。以中山千夏的同名小說為基礎(chǔ)，描寫了一對不再年輕的夫婦和一對情侶之間互相影響、摩擦不斷的故事。參加學(xué)生時(shí)代葬禮的電視導(dǎo)演加藤(岸邊一德)和妻子雅子(大谷直子)?；厝サ臅r(shí)候順便去了以前熟悉的店，和同樣是作詞家的徹(柄本明)那個(gè)年輕的戀人理子(石田繪里)，不期而遇。徹在加藤家重新喝了一杯，誘惑雅子，突然好像興致消了似的躺了下來。徹聽著身體發(fā)燙的雅子和加藤做愛的聲音離開了家，理子沒有回來，只有妹妹由子(高橋瞳)在。出現(xiàn)在理子工作的圖書館的徹，把她帶回家質(zhì)問她不回公寓的理由的時(shí)候，粗暴地強(qiáng)行襲擊了她。
即刻觀影
劇情賞析
編輯推薦
婚前試愛
周秀娜,羅子溢,洪天明,莊思敏,楊梓瑤,沈志明,陳嘉寶,方皓玟琪琪（周秀娜 飾）在一個(gè)禮拜后就要與戀愛七年的警員男友阿澤（羅仲謙 飾）結(jié)婚，在幾個(gè)好友的聚會上，琪琪偶遇攝影師JACK（沈志明 飾），并在酒后與其發(fā)生了一夜情，追悔莫及的琪琪欲迅速終止這段關(guān)系，然而第二天二人再次相遇，在好友的慫恿下，琪琪等人與JACK同看演唱會，當(dāng)夜琪琪意外發(fā)現(xiàn)了阿澤偷情的表徵，遂拉上JACK一起捉奸但一無所獲，后者在離去時(shí)邀請琪琪在結(jié)婚前陪自己再度三天；另一邊，執(zhí)行任務(wù)的阿澤與街頭女孩阿寶（楊梓瑤 飾）調(diào)換了手機(jī)，從未有過背叛女友念頭的阿澤自此落入了一段短暫又不可思議的關(guān)系。馬上就要結(jié)婚的二人，走上了各自的愛情岔路……
繼續(xù)跳舞
繆騫人,林建明,黃霑,周文健,孟海資深電視人甘國亮和《跳灰》新浪潮電影人梁普智聯(lián)合導(dǎo)演，1988年喜劇《繼續(xù)跳舞》由繆騫人、新馬師曾、曾志偉、吳耀漢、黃沾、李香琴、孟海、林憶蓮和林建明主演，片中繆騫人更一人飾演兩角，分別是孖生姊妹長娥和次娥。次娥本來住在精神病院中，但是她用巧計(jì)將長娥騙入院中，并對調(diào)身份，然後到社會上尋找負(fù)心的前夫。 故事講述次娥在過程中遇上了單戀長娥的郵差，又因看風(fēng)水而認(rèn)識了富翁唐沙翁。三人之間竟然相處融洽。而長娥本來只想在院中作短暫的停留，但是每日接觸稀奇古怪的醫(yī)護(hù)人員和病人後，竟然發(fā)現(xiàn)這種生活別有樂趣，逐漸淡忘外界的一切，包括自己的未婚夫在內(nèi)……
宇殺員
Shannon Hutchinson,Vito Trigo,Jasmina ParentIn the near future, aliens have invaded Earth and declared a galactic war resulting in thousands of human casualties. To save Earth, a team of four teenage astronauts brave the alien wilderness of a distant planet to stop an assassin from changing the course of history forever.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
圣誕寶寶
凱瑟琳·巴雷爾 Katherine Barrell,阿里·利伯特,安德魯·J·漢普頓When a baby boy shows up on their doorstep days before Christmas with a note written specially for them, Erin (Liebert) and Kelly (Barrell) must learn how to navigate their new relationship and career dynamics while unexpectedly caring for a newborn. As the couple spends more time with the baby as a temporary solution until he can be placed permanently or they can find his mother, they begin to realize that they want to adopt him themselves and go about navigating the complicated world of fostering to adopt all while their business is booming at the busiest time of the year, Christmas. Starring Ali Liebert, Katherine Barrell and Barbara Niven.
命運(yùn)之書
邁克.梅爾斯,斯賓塞.布萊斯林火、水、風(fēng)、土、和空氣，生命五種核心元素曾經(jīng)注入在一本書--命運(yùn)之書。黑暗籠罩了大地，需要借助筆和書的力量，但這本書卻失蹤了，人們以為它永遠(yuǎn)消失了，但數(shù)百年后卻又再度出現(xiàn)……