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搭車客
為了謀生，一名失業(yè)的畢業(yè)生在深夜偷偷將一名女性尸體運(yùn)往西原。在旅途中，他面對(duì)了一個(gè)充滿不安靈魂的超自然世界、一個(gè)他渴望的神秘女孩，以及與他駕駛的救護(hù)車有關(guān)的黑暗真相。
飛機(jī)和火山
迪恩·凱恩,羅賓·吉文斯,勞倫斯·希爾頓-雅各布斯,Mike Jerome Putnam,Michael William Hunter,Laura Alexandra Ramos,Natalie Burtney當(dāng)一架客機(jī)困在一堆噴發(fā)的火山中時(shí)，乘客和機(jī)組人員必須設(shè)法求生——在不降落的情況下。但在巖漿和火山灰的持續(xù)打擊下，機(jī)上的人產(chǎn)生了恐懼和不信任，威脅生命的不只是火山，人人必須學(xué)會(huì)合作，才能在火海飛行中活下去……
閣樓上的女孩
珍·路易莎·凱利,索菲亞·卡里埃,基南·特雷西一名年輕女子在回家途中遭綁架，并被鎖在綁匪家的閣樓里。一年后，在綁匪坐輪椅的母親的幫助下，她制定了逃跑計(jì)劃。
圣誕奇遇結(jié)良緣
林子祥,岑建勛,張曼玉,午馬,秦沛,廖啟智,徐錦江故事梗概 本片為香港德寶電影公司的創(chuàng)業(yè)巨制之一，由杰出的攝影指導(dǎo)鐘志文升任導(dǎo)演，是一部熱鬧的浪漫冒險(xiǎn)喜劇。內(nèi)容描述一名地下軍火專家制造了一個(gè)小型炸彈企圖有所不軌，計(jì)劃被助手知悉，以致他殺人滅口，但卻被三名互不認(rèn)識(shí)的平凡寂寞人目睹此事件。兩名瘋狂殺手奉命追殺三名目擊者，他們乃展開(kāi)逃亡，過(guò)程中發(fā)揮同舟共濟(jì)的精神來(lái)化解危機(jī)。全片是典型以追殺為主戲的娛樂(lè)片，但不強(qiáng)調(diào)暴力動(dòng)作，反而有不少驚險(xiǎn)笑料。三個(gè)主角的個(gè)性也純真好玩，將都市寂寞人偶然碰到刺激遭遇時(shí)的反應(yīng)生動(dòng)地表現(xiàn)了出來(lái)。
QB壞男孩和我2
斯艾娜·阿古頓,諾亞·貝克,詹姆斯·范德比克,德魯·雷·坦納Star QB Drayton and dancer Dallas face relationship challenges amid his recovery from a setback and her doubts about her future. Their bond strains as they deal with distance and personal changes.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.