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一百樣?xùn)|西
弗洛里安·大衛(wèi)·菲茨,馬提亞斯·施維赫夫,米里亞姆·斯坦因,漢內(nèi)洛勒·埃爾斯納,卡特琳娜·塔巴赫,約翰尼斯·艾麥亞,馬克西米利安·梅耶-布雷澤內(nèi)德,瑪利亞·佛萬格勒,沃爾夫?qū)に顾菲?Sarah Victoria Frick,Artjom Gilz,丹尼爾·弗利格,Milo Eisenbl?tter,Nora Boeckler安東尼（馬提亞斯·施維赫夫 Matthias Schweigh?fer 飾）和保羅（弗洛里安·大衛(wèi)·弗里茨 Florian David Fitz 飾）是從小玩到大的青梅竹馬，兩人共同經(jīng)歷了太多的事情，彼此之間的友誼堅(jiān)不可破。成年之后，他們一起創(chuàng)辦了一家公司，這一天，公司覓得了一名非?？犊耐顿Y人，為了慶祝這件事情，公司里開設(shè)了一場盛大的派對(duì)，在派對(duì)上，玩的興起的安東尼和保羅決定打一個(gè)賭，賭注是公司百分之五十的股份?！ “矕|尼和保羅交出了身上所有的東西，兩人回歸到身無分文的狀態(tài)，然后每一天，他們都可以在他們所擁有的東西里拿回一件，如此往復(fù)，看誰能夠撐更長的時(shí)間，先放棄的人就是輸家。
午夜的柳枝
梅根·?？怂?機(jī)關(guān)槍凱利,埃米爾·赫斯基,布魯斯·威利斯,盧卡斯·哈斯,凱特琳·卡邁克爾,奧利弗·伊莉絲·阿伯克隆比,麗迪雅·赫爾,杰基·克魯茲,泰勒·喬恩·奧爾森,斯溫·特梅爾,希斯蒂妮·史泰龍,邁克爾·比奇,多諾萬·W·卡特,奧馬爾·克魯茲·索托,大衛(wèi)·希爾,讓·皮埃爾·普拉茨,小戴維·M·桑多瓦爾,Jason Trawick,Welker White,Alec Monopoly,Sergio Rizzuto,Nick Koskoff,Katalina Viteri一名聯(lián)邦調(diào)查局特工和佛羅里達(dá)州官員聯(lián)手調(diào)查一系列未偵破的謀殺案。
愛定你殺定你
塞西爾·德·弗朗斯,麥溫,菲利普·納翁,弗蘭克·卡方,安德烈·芬蒂,瓦娜·佩利亞,Marco Claudiu Pascu,Jean-Claude de Goros,Bogdan Uritescu,加布里埃爾·斯巴修青春少女瑪麗（Cécile De France 飾）和愛莉西婭（Ma?wenn Le Besco 飾）是同在法國巴黎一所大學(xué)就讀的好朋友。某個(gè)周末，兩人驅(qū)車前往愛莉西婭家位于鄉(xiāng)下的農(nóng)場度假。適值深夜，萬籟俱寂，瑪麗寂寞難耐正在自我宣泄之時(shí)，一個(gè)不速之客突然闖入。他殘忍殺害了愛莉西婭的父母和年幼的弟弟，并將其擄去。為了營救好友，瑪麗悄悄鉆進(jìn)兇手的卡車。途經(jīng)一個(gè)加油站，她換上同樣慘遭殺害的店員的車?yán)^續(xù)跟蹤，卻被狡猾的兇手發(fā)現(xiàn)行跡。一場近乎迷幻的貓鼠殺戮游戲旋即進(jìn)入高潮…… 本片榮獲2003年Sitges – Catalonian國際電影節(jié)最佳女主角（Cécile De France）、最佳導(dǎo)演、最佳化裝和歐洲奇幻電影大獎(jiǎng)銀獎(jiǎng)。
何以陽光
宇桐非,梁鏡珂,蘇一龍,李華,鄭龍,孟靖,張綺煙肖首英是一位放浪不羈的拳擊手，因?yàn)閰⒓尤瓝舯荣?，而失去了患病的妻子，從此一蹶不振，他答?yīng)妻子以后退出拳臺(tái)，絕不會(huì)讓兒子肖凱去打拳。肖凱從小就有打拳的天賦，但肖首英一直在阻攔，肖凱偷偷的報(bào)名參加了拳擊比賽，最后贏得了冠軍，從此打開了父親的心結(jié)
大司機(jī)
瑪麗亞·貝羅,安·唐德,威爾·哈里斯,瓊·杰特,奧林匹婭·杜卡基斯,Jennifer Kydd小有名氣的驚悚小說作家苔絲·索恩（瑪麗亞·貝羅 Maria Bello 飾）受邀去某地進(jìn)行演講，人生地不熟的她迷失方向，汽車還在某個(gè)根本沒有手機(jī)信號(hào)的地方爆胎。當(dāng)她手足無措的時(shí)候，孔武健壯的卡車司機(jī)（威爾·哈里斯 Will Harris 飾）出現(xiàn)答應(yīng)幫她更換輪胎，然而這個(gè)暴徒見色起意，對(duì)苔絲進(jìn)行了殘酷的虐待，還把她丟在了一個(gè)浸泡著三四具女性尸體的坑道中。僥幸逃命的苔絲一路跌跌撞撞回到家中，她曾嘗試報(bào)警，卻最終三緘其口。在接下來的日子里，苔絲從混亂中理清頭緒，她決定用自己的方式向那只禽獸展開報(bào)復(fù)…… 本片根據(jù)斯蒂芬·金的短篇小說改編。
屋中異蛛
艾莉拉·布朗 , 佩內(nèi)洛普·米契爾 , 瑞安·柯爾 , 希薇婭·克洛卡 , 杰梅因·福勒 , 諾妮·哈澤赫斯 , 羅賓·奈文 , Tony J Black , 阿爾西拉·卡皮奧 , 丹尼·金 , 羅蘭·福爾摩斯內(nèi)詳暫無簡介
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.