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王婷,王昭,張喜來,李小胖,袁琳蘭,李星辰森英恵蝴蝶之外
八木莉可子,中島裕翔復(fù)仇:愛的故事
尼古拉斯·凱奇,安娜·哈徹森,特麗莎·貝特曼,黛博拉·卡拉·安格,唐·約翰遜,約書亞·米克爾,羅科·紐金特,喬·歐科特貝克,卡特·伯奇,夏琳·蒂爾頓,迪克蘭·圖萊尼,卡拉·弗勞爾斯,吉米·岡薩雷斯,科里·斯科特·艾倫,邁克·普涅夫斯基,凱蕾·里維拉,沙維爾·德克里,邁克爾·帕帕約翰水之年代
伊莫琴·普茨,索拉·伯奇,詹姆斯·貝魯什,湯姆·斯圖里奇,查理·卡里克,杰瑞米·安·瓊斯,厄爾·凱夫,蘇珊娜·弗拉德,米迦勒·埃普,金·戈頓,亞歷山大·約翰遜,埃斯梅·艾倫,安娜·維托夫斯基,安東·利特維諾夫,阿麗娜·利特維諾娃,多米尼克·加布里埃爾·羅塞蒂,哈爾·韋弗,埃莉諾·哈恩,彼得·倫德爾,瑪麗娜·斯尼加熒屏在發(fā)光
賈斯蒂斯·史密斯,布里蓋特·倫迪·佩恩,伊恩·福爾曼,海倫娜·霍華德,林齊·喬丹,丹妮爾·戴德懷勒,弗里德·德斯特,康納·歐麥利,瑪達(dá)琳·賴?yán)?埃博·本森,艾伯特·伯尼,邁克爾·C·莫羅納,丹尼·塔貝瑞利,蒂莫西·格里芬·艾倫,泰勒·迪恩·弗洛雷斯,伊麗莎白·斯科佩爾,馬林·班迪羅愛我愛我
米爾·詹金斯,佩佩·巴羅佐,盧卡·梅盧奇,Andrea Guo,Michelangelo Vizzini,Madior Fall,Vanessa Donghi同類推薦
北逃
索利曼·克魯茲,Niko Becker,巴特·金戈納,Alexandre Nguyen,Olivier Ho Hio Hen,Dimitar Vasilev,Noel Sto. Domingo,Olivier Chen,Baldo Gueye,Mahamat Amine Benrachid,Stefan CojocaruBased on a true story. 1996, open sea. During his shift on a transatlantic ship’s deck, Joel, a religious Filipino sailor, discovers Dumitru, a Romanian stowaway hidden between some containers. If he is spotted by the Taiwanese officers running the vessel, Dumitru is at risk to be thrown overboard. Joel decides to hide him, as a sign of his gratitude towards God. Soon, a dangerous cat and mouse game begins. When his crew, his own friends, even God itself start to turn their backs on him, Joel learns that he has to face his cruel destiny alone.
老人與貓
阿特·卡尼,艾倫·伯斯汀,勒內(nèi)·恩里克斯哈利( Art Carney 飾)是個退休教師,終其一生都在為妻女奮斗,住在紐約上西區(qū)的他,一直沒有為自己追求什么,當(dāng)政府為了興建停車場而決定拆除哈利的房子,他打包行李帶著他最忠心的好友 Tonto 一同展開了一場跨越美國的旅程,他沿途拜訪子女與多年好友,也因此結(jié)識了許多新朋友...本片由 Paul Mazursky 執(zhí)導(dǎo),獲得1974年奧斯卡最佳男主角與金球獎喜劇音樂類影片最佳男主角。
婚姻積分戰(zhàn)
Luisana Lopilato,Cristina Casta?o,Juan Minujín一對夫妻婚姻觸礁,沮喪之際在某個有趣的 App 里找到曙光:只要對彼此付出就能得到獎勵,結(jié)果卻被要贏得 App 點(diǎn)數(shù)的狂熱沖昏了頭,深陷其中無法自拔。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
黎娜需要愛
艾米利亞·舒勒,雅尼克·許曼,Kyra Sophia Kahre黎娜(艾米麗亞·舒勒 Emilia Schüle 飾)的故事非常悲傷和充滿挫折。她從小生活在單親家庭中,母親只顧著自己的情感生活,忽視了對黎娜的關(guān)愛和支持。因此,她在學(xué)校里無法與同學(xué)們建立良好的關(guān)系,被視為怪異的存在,感到孤立和無助。然而,黎娜有一個隱藏的天賦:視覺藝術(shù)。她通過社交網(wǎng)絡(luò)平臺結(jié)識了同班同學(xué)提姆(雅尼克·許曼 Jannik Schümann 飾),兩人因?yàn)閷λ囆g(shù)的共同熱愛逐漸互相了解和傾訴心聲。他們的心靈相通,找到了互相支持和理解的溫暖?! ∪欢枘鹊奈ㄒ缓糜驯撑蚜怂?,陷害她成為賣提姆毒品的告密者。從那一刻起,她遭受了持續(xù)的誣陷和誤會,被社會孤立和排斥。無論她多么努力地解釋自己的清白,都無法挽回已經(jīng)造成的后果。