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劇情提要
Dana is wife to a blind ex-fireman who is unable to satisfy his wife's physical needs due to his condition. A young man enters the picture and lures Dana to a sinful relationship to satisfy her sexual frustrations.
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大蛇5:怪獸都市
張傲月,梁頌晴,包貝爾,釋彥能,姜超,苑瓊丹,石兆琪,鄔天,譚琍敏,毛凡超暴力機(jī)斗
Ben Naasz,Teddy Ca?ez,Jennifer Sydney告白
松隆子,岡田將生,木村佳乃,西井幸人,橋本愛(ài),蘆田愛(ài)菜,三吉彩花,藤原薰,井之脅海,清水尚彌,高橋努,一井直樹(shù),能年玲奈,新井浩文,野本螢作惡者
Melanie Liburd,Kiah McKirnan,Ireon Roach壞媽媽
米拉·庫(kù)尼斯,凱瑟琳·哈恩,克里斯汀·貝爾,克里斯蒂娜·艾伯蓋特,賈達(dá)·萍克·史密斯,安妮·瑪莫羅,烏娜·勞倫斯,恩杰伊·安東尼,大衛(wèi)·瓦爾頓,克拉克·杜克,杰伊·埃爾南德斯,維德?tīng)枴て査?莉亞·麥肯德里克,梅根·弗格森,萊爾·布羅卡托,旺達(dá)·塞克絲,凱德·曼斯菲爾德·庫(kù)克西,J·J·瓦特,安·馬奧尼,薩曼莎·博利厄,唐娜·杜普蘭提爾,克莉絲緹娜·德蘿莎,揚(yáng)·費(fèi)爾德曼,杰倫·摩爾Kill Tony:笑鬧德州
托尼·欣奇克利夫圣安地列斯地震
Jhey Castles,Jason Wood,格瑞思·范·迪恩同系列推薦
龍門相
何熙維,馬國(guó)偉,段瓊,趙東飛,沃志強(qiáng),李桃迷失太空
海瑟·格拉漢姆,威廉·赫特,米密·羅杰斯,杰克·約翰遜,萊西·沙伯特,加里·奧德曼,馬特·勒布朗靈語(yǔ)
是元介,吳可熙,鄭人碩,楊丞琳,禾浩辰,石知田,丁寧,李國(guó)超獵殺星期一
勞米·拉佩斯,格倫·克洛斯,威廉·達(dá)福,馬爾萬(wàn)·肯扎里,克里斯蒂安·魯貝克,帕爾·斯維爾·哈根,托米瓦·埃敦,凱西·克萊爾,卡梅倫·杰克,柯?tīng)査沟佟ぐ⒏ヮD,維加·霍爾,馬達(dá)林·德拉甘,斯蒂格·弗洛德·亨里克森,亞歷山大·阮,拉臘·德坎羅,瑪麗·埃弗雷特,桑地亞哥·卡布瑞拉絕命幽靈船
杰森·繆斯,理查德·雷西爾,Luke Guldan,Tyler Johnson藍(lán)眼睛米奇
休·格蘭特,詹姆斯·肯恩,珍妮·特里普里霍恩,喬·維特雷利幕后花絮
藍(lán)眼睛米奇
米歇爾?法爾蓋特(休?格蘭特 飾)經(jīng)營(yíng)一間拍賣行,他是個(gè)溫和的英國(guó)人,拍賣行的生意一向很好。他感覺(jué)成家的時(shí)候到了,便向他最愛(ài)的女友吉娜(詹姆斯?凱恩 飾)結(jié)婚??墒羌葘?duì)結(jié)婚一詞十分抗拒,她不愿意跟米歇爾結(jié)婚。這樣使米歇爾疑惑極了,他認(rèn)為女友是十分愛(ài)自己的,為何不能從此一同生活呢? 直到后來(lái),他才明白了吉娜的苦心。原來(lái)吉娜的父親是一名黑幫老大,深愛(ài)著米歇爾的吉娜不愿自己的丈夫被卷進(jìn)復(fù)雜的黑幫環(huán)境中。就算米歇爾向吉娜保證自己不會(huì)牽涉進(jìn)去那些麻煩當(dāng)中。 可是事情并不如人意,他還是因?yàn)檫@個(gè)黑幫岳父惹來(lái)了很多麻煩,甚至被警察調(diào)查。從此,米歇爾也莫名其妙的成為了黑道中人……
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster