孤獨的家庭購物節(jié)目主持人

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

殺手算命師

　　在一位塔羅牌占卜師預言了一次偶遇后，肖恩開始相信命運，并為他的愛情生活和事業(yè)尋求進一步的建議。

教皇行動

限時營救2025

　　Follows an ex-black ops team that reunites to pull off a desperate heist and save the life of an eight-year-old girl.

揚帆

 夏洛特（貝蒂·戴維斯 Bette Davis 飾）已經(jīng)能算得上是一個老姑娘了，她梳著呆板的發(fā)型，穿著保守的服裝，性格也古里古怪的，更糟糕的是，她似乎還染上了酗酒的壞毛病。在家人的建議之下，夏洛特決定踏上治療心靈的旅途，登上了駛往遠方的游輪。在游輪上，夏洛特邂逅了名為杰瑞（保羅·亨雷德 Paul Henreid 飾）的男子，并且在誤打誤撞之中和杰瑞的女兒結(jié)下了深厚的友誼。很快，夏洛特就感到自己墜入了情網(wǎng)之中，然而，此時的杰瑞并不是自由身，他有這一段無法結(jié)束的婚姻。心碎的夏洛特選擇了離開，而夏洛特的母親也在不久之后撒手人寰。

死因無可疑

　　保險經(jīng)紀人葉永信(陳家樂 飾)某天接到一通神秘來電，電話中的男子問自殺后多久可以拿到賠償，隨后他接到上司通知有客戶指定他去跟進保單，葉上門拜訪時親眼目睹一個孩子吊死在屋中，他隨即認定客戶為詐取保險金而殺害兒子，決心暗中對朱重德(黃秋生 飾)和沈子玲(林嘉欣 飾)夫婦展開調(diào)查，恐嚇隨即接二連三發(fā)生在他及戀人文惠儀(湯怡 飾)身上，在又一起命案發(fā)生后，他愕然發(fā)覺事情和他的判斷并不一樣…

為了所有的女孩

 一名探員和一名連環(huán)殺手組成了看似不可思議的小分隊，共同對抗全球拐賣兒童和性奴販運網(wǎng)絡。