柏林情事
別名：柏林風(fēng)情畫(huà)/The Berlin Affair nbsp; 1938年的德國(guó)，正處于二戰(zhàn)前風(fēng)云變幻的動(dòng)蕩中。年輕的納粹外交官漢斯（Kevin McNally飾)之妻路易斯(Gudrun Landgrebe飾)卻終日與丈夫沉浸在悠閑的貴族生活中，恩愛(ài)無(wú)限。一個(gè)偶然的機(jī)會(huì)，路易斯在藝術(shù)學(xué)院的繪畫(huà)班邂逅了日本駐德國(guó)大使松枝正雄之女松枝美津子(高樹(shù)澪/mio takaki飾)。美麗優(yōu)雅又充滿東方情調(diào)的美津子深深地吸引了路易斯，兩人在幾次接觸后不可救-地墜入情網(wǎng)。二人終日沉浸在藝術(shù)殿堂里，纏綿悱惻。而這非比尋常的關(guān)系很快被漢斯發(fā)覺(jué)，他試圖阻止已經(jīng)身陷情網(wǎng)的妻子。同時(shí)，美津子的前男友，繪畫(huà)老師邦諾(Philippe Leroy)也在處心積慮地設(shè)計(jì)于這對(duì)同性戀人。這段驚世駭俗的異國(guó)同性之戀為保守的德日兩國(guó)所不容，身份特殊的兩個(gè)女人將何去何從？ 意大利著名女導(dǎo)演莉莉安娜卡瓦尼的情色經(jīng)典，改編自日本文學(xué)家谷崎潤(rùn)一郎的名作《納粹》。在保留了原作妖艷纏綿的風(fēng)格同時(shí)，加入了濃厚的政治色彩。是喜歡歐洲電影朋友不可不看的經(jīng)典。
即刻觀影
劇情賞析
編輯推薦
自殺俱樂(lè)部
Klariza Clayton ,Kate Lister,Adam NewingtonLocked in her flat for several years, a reclusive young woman stumbles upon a mysterious web community. According to an urban myth, the Suicide Club grants death to those wishing for it. Unless these "cyber suicides" are actually murders.
你留下的痕跡
麥卡·夢(mèng)露,泰里克·威瑟斯,布萊德利·惠特福德,勞倫·格拉漢姆,希拉里·杰迪妮,詹妮弗·羅伯遜,魯?shù)稀づ丝?萊尼·威爾遜,尼古拉斯·杜威內(nèi),佐伊·科索維奇,Rick Koy,Susan Serrao,Anne Hawthorne,Monika Myers,Laird Reghenas,Kevin Corey,Bud Klasky,羅里·埃德加影片改編自科林·胡佛2022年出版的暢銷(xiāo)小說(shuō)，講述一段關(guān)于母性、寬恕，以及愛(ài)的力量是如何修復(fù)最嚴(yán)重錯(cuò)誤的動(dòng)人旅程。在和男友有一次看似完美的約會(huì)之后，肯娜（麥卡·夢(mèng)露 飾）犯下一個(gè)無(wú)法彌補(bǔ)的錯(cuò)誤，使她被送進(jìn)監(jiān)獄。七年后，她回到懷俄明州的家鄉(xiāng)，希望能夠重新建立她的人生，并且爭(zhēng)取與她從未見(jiàn)過(guò)的女兒蒂恩母女團(tuán)圓的機(jī)會(huì)。當(dāng)擁有蒂恩監(jiān)護(hù)權(quán)的祖父母堅(jiān)決拒絕讓肯娜見(jiàn)她的女兒時(shí)，她卻意外地在一位前美式足球球員以及當(dāng)?shù)鼐瓢衫习宓睦捉埽ㄌ├锟恕ね?飾）身上找到意想不到的同情心以及更真實(shí)和深切的情感。隨著他們的秘密戀情逐漸發(fā)展，他們兩個(gè)人也面對(duì)越來(lái)越多的危險(xiǎn)，這把肯娜逼向心碎的邊緣，然而，最終也讓她有希望得到第二次機(jī)會(huì)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
虛擬實(shí)驚
杰西卡·德·古維,托馬斯·康奎爾,TJ·鮑爾,利亞姆·格雷厄姆,普麗西拉-安妮·福德,侯宣德,莎羅姆·布龍-富蘭克仁·阿瑪瑞發(fā)明了革命性的藥品型軟件，可直接在人類(lèi)大腦中創(chuàng)造虛擬現(xiàn)實(shí)，僅幾秒鐘就能體驗(yàn)幾小時(shí)或幾天的激動(dòng)人心的冒險(xiǎn)。仁要拯救弟弟于記憶迷局，而合作伙伴一心只想賺取利益，但是一切都是記憶連環(huán)套……
靜水
泰勒·瑞特,Eric Michael Roy,卡蓮娜·布里奇,Paul Elia,Nino Aldi在明尼蘇達(dá)州北部的“邊界水域”中，六個(gè)老朋友之間的周末露營(yíng)之旅在神秘的環(huán)境下死亡后變得悲慘起來(lái)，隨著他們企圖在本集團(tuán)內(nèi)揭露殺手，引發(fā)進(jìn)一步的動(dòng)蕩。
網(wǎng)紅女友
Karina Razner,Olga Kalicka,Joanna Koroniewska,馬太烏茲·巴納斯烏克,Rafal Królikowski網(wǎng)壇新星Zosia，綽號(hào)Just Sophie，發(fā)現(xiàn)她的男朋友，流行的YouTuber Komfi有外遇。當(dāng)背叛曝光，普德萊克被揭露時(shí)，女孩決定接受深受網(wǎng)友喜愛(ài)的維奧拉的邀請(qǐng)，和她一起去國(guó)外旅行，以獲得贊助商的錢(qián)。Zosia訪問(wèn)了塞浦路斯、伊維薩島、馬耳他、希臘和意大利的獨(dú)家度假村，為粉絲的影響力和關(guān)注而戰(zhàn)，加入了波蘭影響者的精英行列。不幸的是，當(dāng)她的前男友與性感的健身博主寶拉有染時(shí)，她與前男友的愛(ài)情丑聞變得越來(lái)越大，維奧拉的黑暗過(guò)去又回來(lái)困擾著她。當(dāng)有趣的細(xì)節(jié)和隱藏的秘密浮出水面時(shí)，Zosia將面臨一個(gè)難以接受的事實(shí)，即她如此渴望屬于的環(huán)境。