若妻家庭教師

復仇雙雄

故事圍繞墨西哥特種部隊精英卡洛斯（綽號“公牛”）展開，他在一次任務中成功抓獲了犯罪集團頭目，卻因此遭到報復，妻子在他面前被殘忍殺害，自己也淪為通緝犯。走投無路之際，他意外中了彩票頭獎，一夜之間擁有了復仇的資本。他與摯友、戰(zhàn)友米格爾聯(lián)手，將全部財富轉化為武器和情報，從被通緝的逃犯，變成了以暴制暴的“復仇獵人”，目標是讓所有參與殺害他妻子的人，付出最慘痛的代價。

青石鎮(zhèn)傳說

　　在女兒青蘭頻繁發(fā)作邪病、不斷重復詭異兒歌的困擾下，風水師豪哥(曹衛(wèi)宇 飾)與碼頭工人阿坤、記者大偉一同踏上了前往青石鎮(zhèn)的探險之旅。在這個風水布局精巧、卻氣氛詭異的小鎮(zhèn)上，他們不僅發(fā)現(xiàn)了青蘭的姐姐紅蓮的命運，還揭開了鎮(zhèn)上隱藏的驚天秘密。

暗金丑島君：完結篇

　　在物欲橫流的社會里，高利貸公司CowCow Finance的事業(yè)繼續(xù)蒸蒸日上。然而，隨著某日突然來訪的，將社長丑島馨稱呼為“小馨”的中學同班同學竹本的出現(xiàn)，丑島的過去逐漸被揭開。丑島與盟友戌亥、得力下屬柄崎和高田不得不面對來自知曉丑島過去故事的最強敵對者鱷戶三兄弟、與丑島舊恨未了又添新仇的女性高利貸者犀原茜、欲要毀滅丑島的十分有手腕的律師都陰以及立場無法判明的竹本的多重挑戰(zhàn)，CowCow Finance史上最大危機來臨……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

大佛回國

137號案件

　　「為什么大家討厭警察？」男孩詢問母親。身為警察的史黛芬妮，負責的卻是警察暴力與失職案件調查。2018年，一名青年隨親友來到巴黎參與街頭抗議，卻因警方開槍，導致永久性腦部損傷。家人提出指控，警方卻矢口否認，關鍵證據(jù)亦是不足。內外壓力夾攻之下，史黛芬妮仍奮力調查，調閱攝像頭比對、還原警員動線，越逼近真相之際，同僚的敵意也越發(fā)強烈??