一個(gè)神秘中年男子醉酒后襲擊了一臺(tái)自動(dòng)售貨機(jī)和便利店店員，被警方拘留。他聲稱自己擁有超能力，并預(yù)測東京將有炸彈。從秋葉原爆炸事件算起，他預(yù)測接下來還會(huì)有三次爆炸，間隔一小時(shí)。隨后，他一邊回避著警察的詢問，一邊問一些有關(guān)炸彈的神秘“問題”。

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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

被撓

大衛(wèi)·法里爾,迪倫·里夫,大衛(wèi)·斯塔爾,哈爾·卡普,戴維·達(dá)馬托

　　網(wǎng)絡(luò)上流傳著關(guān)于“撓癢”的神秘競技，一個(gè)同志想?yún)⑴c這場“撓癢癢大賽”卻被告知此運(yùn)動(dòng)僅限直男。記者大衛(wèi)·法里爾(David Farrier)深入探尋后發(fā)現(xiàn)“撓癢”的背后是一條完整的灰色產(chǎn)業(yè)鏈，這其中不僅有撓癢視頻的制作方對演員的壓榨與侵害，甚至還能看到美國由金錢操縱的階級(jí)制度的冰山一角。本片曾獲得2016年第32界圣丹斯電影節(jié)世界電影單元紀(jì)錄片評(píng)審團(tuán)大獎(jiǎng)提名?！　∫粓觥皳习W”的運(yùn)動(dòng)，卻讓人笑不出來。

換皮

瑞貝卡·福斯蒂,露西·阿倫,芭芭拉·克蘭普頓,Sean Knopp,阿德南·馬拉爾

　　年輕漂亮的凱拉得了一種奇怪的疾病，她的皮膚開始老化，干裂和瓦解。當(dāng)她發(fā)現(xiàn)她可以用別人的皮膚來替代自己的皮膚時(shí)，她必須做出選擇，看著自己的軀體枯萎死亡，還是屈服于誘惑，不管代價(jià)如何。

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