家庭環(huán)境

★ 6.7 播放：00萬 更新：2026-04-22

別名：環(huán)境 Circumstance (2010) ，兩個在學校認識的伊朗女孩。一個女孩寄居在叔叔家，因為不支持伊朗革命政府的父母已被處決，另一個女孩出身富裕的伊朗中產(chǎn)階級家庭，有著民主的知識分子的父母。 兩個具有靈性且追求自由的女孩在伊斯蘭高壓的社會環(huán)境下相處中從朋友到漸漸在彼此的心靈還有肉體中觸摸同性的愛情。 富裕家庭女孩有一個哥哥，原本有這音樂天賦的哥哥在失去生命平衡的迷失中開始猶如寄居蟹般返回伊斯蘭教的寺廟---放棄自由從而希望獲得心靈的蒙蔽的安寧。 日漸保守傳統(tǒng)的哥哥愛上了妹妹的朋友也是妹妹的秘密愛人， 用小小的謀略愿以償和失去父母的孤女結(jié)婚。 婚后，妹妹還有新婚的兄妻依然舊情難斷。 然而這一切都記錄在哥哥布置下的監(jiān)視攝像鏡頭里。 結(jié)尾妹妹離開了伊朗。 　　

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別名：環(huán)境 Circumstance (2010) ，兩個在學校認識的伊朗女孩。一個女孩寄居在叔叔家，因為不支持伊朗革命政府的父母已被處決，另一個女孩出身富裕的伊朗中產(chǎn)階級家庭，有著民主的知識分子的父母。 兩個具有靈性且追求自由的女孩在伊斯蘭高壓的社會環(huán)境下相處中從朋友到漸漸在彼此的心靈還有肉體中觸摸同性的愛情。 富裕家庭女孩有一個哥哥，原本有這音樂天賦的哥哥在失去生命平衡的迷失中開始猶如寄居蟹般返回伊斯蘭教的寺廟---放棄自由從而希望獲得心靈的蒙蔽的安寧。 日漸保守傳統(tǒng)的哥哥愛上了妹妹的朋友也是妹妹的秘密愛人， 用小小的謀略愿以償和失去父母的孤女結(jié)婚。 婚后，妹妹還有新婚的兄妻依然舊情難斷。 然而這一切都記錄在哥哥布置下的監(jiān)視攝像鏡頭里。 結(jié)尾妹妹離開了伊朗。 　　

導演精選

電影版淘氣小企鵝啵樂樂甜蜜城堡大冒險

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雉岳山

　　Five members of the mountain bike club, Sangaja. To ride a mountain bike, we head to Chiaksan Mountain, where Min-joon's Uncle villa is located. After arriving at Chiaksan Mountain and enjoying the ride, strange things began to happen to the party…. And something unidentified chasing them! A desperate survival game for Sangaja's party to survive on Chiaksan Mountain begins.

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.