下流工作

★ 1.4 播放：92萬(wàn) 更新：2026-04-28

A struggling fashion designer takes on a job working as a personal shopper for a successful erotic novelist. Things get steamy between them, but soon they will be confronted by someone who knows about their affair and wants to stop it.

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劇情簡(jiǎn)介

A struggling fashion designer takes on a job working as a personal shopper for a successful erotic novelist. Things get steamy between them, but soon they will be confronted by someone who knows about their affair and wants to stop it.

導(dǎo)演精選

血戰(zhàn)沙漠

　　2001年11月，阿富汗加茲尼省。一支來(lái)自美國(guó)的特種部隊(duì)小分隊(duì)與CIA探員本杰明·凱恩斯（喬納斯·鮑爾 Jonas Ball 飾）在此碰頭，他們要在當(dāng)?shù)貙ふ乙粋€(gè)名叫莫罕默德?阿班的男人。在線人阿布爾（Chems-Eddine Zinoune 飾）的引導(dǎo)下，他們來(lái)到據(jù)說(shuō)莫罕默德藏身的山區(qū)。這里流傳著恐怖的傳說(shuō)，在半個(gè)多世紀(jì)前英國(guó)就曾有一支上萬(wàn)人的部隊(duì)在此地憑空消失。從特種隊(duì)員踏入這片陌生領(lǐng)域的那一刻起，恐怖離奇的事件便如影隨形。隊(duì)員們接連失蹤，他們仿佛走入一條通往黑暗世界的不歸之路……　　本片榮獲2008年紐約恐怖電影節(jié)觀眾獎(jiǎng)最佳攝影獎(jiǎng)、2008年墨西哥圣塔菲電影節(jié)Milagro獎(jiǎng)最佳攝影獎(jiǎng)。

圍困2

　　本片是蘇聯(lián)偉大衛(wèi)國(guó)戰(zhàn)爭(zhēng)系列史詩(shī)巨片之一部。影片盡情歌頌了蘇聯(lián)人民，在德國(guó)法西斯圍困列寧格勒的900個(gè)艱難的日日夜夜，所表現(xiàn)出來(lái)的頑強(qiáng)精神。影片及表現(xiàn)了蘇軍大本營(yíng)對(duì)列寧格勒的戰(zhàn)略布防，也表現(xiàn)出列寧格勒市民面對(duì)生死的堅(jiān)忍不拔。同時(shí)也是為數(shù)不多的蘇聯(lián)戰(zhàn)爭(zhēng)影片，客觀地表現(xiàn)了戰(zhàn)爭(zhēng)初期紅軍失利，以及紅軍將領(lǐng)伏羅希洛夫元帥組織列寧格勒城防的失敗。影片還展現(xiàn)了列寧格勒基洛夫工廠，冒著的德軍轟炸，堅(jiān)持為前線生產(chǎn)武器，以及軍隊(duì)和市民通過(guò)城市唯一與外界的通道——拉多加湖通道，運(yùn)送糧食、武器和其他戰(zhàn)略物資的場(chǎng)面。該片還較為詳實(shí)地展示了希特勒攻占列寧格勒的計(jì)劃，以及紅軍與市民聯(lián)手防御，共同抗敵的畫(huà)面。這部影片，將戰(zhàn)爭(zhēng)的全景展示與戰(zhàn)壕細(xì)節(jié)完美地結(jié)合起來(lái)，直到今天仍不失為一部反法西戰(zhàn)爭(zhēng)的優(yōu)秀影片，很值得觀賞和借鑒。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.