在線播放
劇情簡介
Minseok開了一家小咖啡館,過著艱苦的生活。 您會(huì)愛上您的顧客的。 隨著他對(duì)Miseon的癡迷和幻想,他的愛情惡化了。 在Misun的房子前,Misun暫時(shí)找不到咖啡館。 敏錫的焦慮感極高,他來到美順公司的最前面。
同類好片
提前的葬禮
姜末琴,奉太奎眠狂四郎
長谷川博己,黑島結(jié)菜,高橋光臣,菜菜緒,森永悠希,坂東彌十郎,宅麻伸,今野浩喜,佐藤江梨子,西村雅彥,神保悟志 ,原沙知繪,本田博太郎閣樓房客是總裁
張層層,莫小錯(cuò),詹子潼,董天昊鏢人:風(fēng)起大漠
吳京,謝霆鋒,于適,陳麗君,孫藝洲,此沙,李云霄,梁家輝,張晉,惠英紅,張譯,李連杰,劉耀文,熊瑾怡,莒謙朗,白那日蘇,梁壁熒,文俊輝,董思成,林秋楠,景瓷,張藝瀧,李嘉輝,寇占文,代樂樂,釋彥能,徐向東,淳于珊珊,孟鶴堂,于榮光,陳少熙,趙箭,袁和平守株人
楊紫,駱達(dá)華,杜奕衡,劉筱筱,林雪,林妙可孤獨(dú)的美食家 2025除夕特別篇
松重豐人氣佳作
呼嘯山莊2026
瑪格特·羅比,雅各布·艾洛蒂,周洪,艾莉森·奧利弗,沙扎德·拉蒂夫,馬丁·克魯勒斯,伊萬·米切爾,艾米·摩根,杰西卡·奈佩特,夏洛特·梅林頓,歐文·庫珀,薇·阮, 米莉·肯特,薇琪·佩珀代因,保羅·瑞斯,Robert Cawsey,加布里埃爾·比塞特 - 史密斯,Louie Benjamin Potts,Treyston Braine,Jaydon Eastman血觀音
惠英紅,吳可熙,文淇,柯佳嬿,陳莎莉,丁強(qiáng),劉尚謙,林志儒,王月,溫貞菱,王偉六,陳珮騏,尹昭德,大久保麻梨子,巫書維,顏毓麟,劉越逖,傅子純,陳武康,施名帥,秀蘭瑪雅,應(yīng)朗豐,李銓回到從前
伊?!せ艨?艾瑪·沃森,大衛(wèi)·休里斯,戴文·博斯蒂克,戴爾·迪奇,艾倫·阿什莫,亞當(dāng)·布切,大衛(wèi)·丹席克,阿隆·艾布拉姆斯,羅泰爾·布魯特,彼得·麥克內(nèi)爾半身死靈
大島優(yōu)子,山崎真實(shí),螢雪次朗,阿部進(jìn)之介導(dǎo)演精選
獵梟風(fēng)暴
一奶同胞的兄弟洪達(dá)和洪宇同屬于卡尼亞軍方的秘密獵毒小隊(duì),在執(zhí)行東南亞邊境掃毒任務(wù)時(shí),被狡猾的大毒梟貢泰偷襲,即將成為父親的洪達(dá)為掩護(hù)弟弟洪宇犧牲,洪宇背負(fù)巨大的創(chuàng)痛回到家中,無法面對(duì)一對(duì)孤兒寡母,加盟新組建的獨(dú)狼小隊(duì),重返邊境為哥哥報(bào)仇。
羅格河
★《羅格河》:一位年輕的女性駕車沿著羅格河旅行,可是她的車子卻神秘的消失了。失去了代步工具和通信,別無選擇,她只得接受了一位陌生人的好意在他的小屋中過夜??墒沁@個(gè)選擇卻讓她后悔終生。在接下來的時(shí)間里除了折磨還是折磨,難以描述的疼痛與令人恐怖的苦痛。如果你看過苦痛,你就什么都沒看過。這部電影在其他恐怖電影結(jié)束之處開始,恐懼與作嘔將縈繞觀影者始終。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster