煩人的欲望出租屋

評(píng)分：5.5 播放：70萬 更新：2026-04-25

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不可饒恕2021

桑德拉·布洛克,喬·博恩瑟,文森特·多諾費(fèi)奧,維奧拉·戴維斯,理查德·托馬斯,艾斯琳·弗蘭喬茜,W·厄爾·布朗,杰西卡·麥麗奧德,湯姆·蓋里,琳達(dá)·伊蒙,羅布·摩根,艾倫·坡爾,帕蒂·基姆,艾瑪·尼爾森,托比·哈格雷夫,威爾·普倫,威廉·貝勒,西蒙·錢,Tom MacNeill

　　露絲·斯雷特（布洛克飾）因暴力犯罪被判入獄，出獄后的她重新踏入社會(huì)，但自己的過去卻不被原諒。面對(duì)來自她曾經(jīng)稱之為“家”的地方的無情評(píng)判，她獲得救贖的唯一希望，就是找到當(dāng)初被自己無奈丟下而疏遠(yuǎn)了的妹妹。

遮天劇場(chǎng)版背棺戰(zhàn)王騰

葉凡與王騰雙天驕宿命對(duì)決，北原王家來勢(shì)洶洶，姬家老祖心懷鬼胎，姬紫月淪為家族聯(lián)姻工具，葉凡身陷眾矢之的?；墓攀ンw碰撞亂古傳承，誰才具真正大帝之姿？

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

寵寵特快

當(dāng)一列火車意外開動(dòng)時(shí)，只帶著寵物，他們發(fā)現(xiàn)漢斯，一只好惡的獾，是這一切的幕后黑手。雖然墜機(jī)似乎不可避免，但動(dòng)物們可以依靠獵鷹，一只狡猾的浣熊，他會(huì)盡一切努力拯救它們。