看色情電影的好日子
十年級(jí)的吳東碩、李大寶和柳基成住在同一個(gè)社區(qū),上同一所學(xué)校。他們正在享受暑假。他們進(jìn)入一個(gè)討論學(xué)院申請(qǐng)大學(xué),慢慢地,他們開(kāi)始對(duì)女性產(chǎn)生興趣。他們對(duì)色情開(kāi)放。他們總是談?wù)撍?,分享新的色情作品,更深入地了解它的世界。他們覺(jué)得一切都像色情片。他們做著濕漉漉的夢(mèng),花了一段激情和熱血沸騰的時(shí)間。董世凱喜歡來(lái)自日本的四級(jí)女星Yakijaki。一個(gè)名叫米愛(ài)的新女孩來(lái)到他們的討論班,他喜歡她,因?yàn)樗雌饋?lái)像他最喜歡的色情明星。他很高興他能在色情片和現(xiàn)實(shí)生活中看到明星。
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劇情簡(jiǎn)介
十年級(jí)的吳東碩、李大寶和柳基成住在同一個(gè)社區(qū),上同一所學(xué)校。他們正在享受暑假。他們進(jìn)入一個(gè)討論學(xué)院申請(qǐng)大學(xué),慢慢地,他們開(kāi)始對(duì)女性產(chǎn)生興趣。他們對(duì)色情開(kāi)放。他們總是談?wù)撍窒硇碌纳樽髌?,更深入地了解它的世界。他們覺(jué)得一切都像色情片。他們做著濕漉漉的夢(mèng),花了一段激情和熱血沸騰的時(shí)間。董世凱喜歡來(lái)自日本的四級(jí)女星Yakijaki。一個(gè)名叫米愛(ài)的新女孩來(lái)到他們的討論班,他喜歡她,因?yàn)樗雌饋?lái)像他最喜歡的色情明星。他很高興他能在色情片和現(xiàn)實(shí)生活中看到明星。
同類(lèi)好片
星際變種
劉敬宇,楊舒婷,凱洱,麥小龍,王藝曈,袁近輝,鄢子綸,李巖研,劉峰超,Alexander Zerrath,狼森,Eric Joseph Heise,蒂娜·柯林斯,Chelsey Mark,大衛(wèi)·雷登,Norbert M.DuBois,趙鵬濤洞穴客
John Abbott,諾亞·海瑟威,David Comfort,Michael Mancini花魁~SAGA
沖田杏梨,佐山愛(ài),鹽谷瞬午夜之花
北川景子,森田望智,佐久間大介,渋谷龍?zhí)?澀川清彥,田中麗奈,光石研,池內(nèi)博之摩斯拉1996
小林恵,山口紗彌加,羽野晶紀(jì),二見(jiàn)一樹(shù),藤?zèng)g麻彌,萩原流行,田中ひろ子,荒川強(qiáng)啓,寺尾聰,大寶智子,須藤真里子,高橋ひとみ,梨本謙次郎致命圍困
米莎·巴頓,黛博拉·卡拉·安格,卡梅隆·布萊特導(dǎo)演精選
恐怖猴玩偶
Upon their mother’s death, siblings Jenny and Marshall return to renovate her crumbling motel, The Jolly Monkey. But as they work, a deadly force tied to their family’s dark past emerges, forcing them to face terrifying truths if they want to survive.
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
阿爾及爾之戰(zhàn)
一九五四年十月一日,以法屬阿爾及利亞首都阿爾及爾的卡斯巴為中心,爆發(fā)了阿爾及利亞人反抗運(yùn)動(dòng),這是由于阿拉伯人憎恨法國(guó)人長(zhǎng)期統(tǒng)治而引起的。人們四處搞破壞,法國(guó)政府發(fā)覺(jué)事態(tài)嚴(yán)重,便于一九五七年十月七日,派馬丘將軍率領(lǐng)四十萬(wàn)大軍駐于斯拉姆地區(qū)。但是暴亂仍層出不窮,法國(guó)人的鎮(zhèn)壓行動(dòng)開(kāi)始升級(jí)。