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吳奇隆,楊采妮,葛民輝,張庭,何家駒,劉洵,黎彼得,黃一飛紅嫁衣:紙新娘
何雨宸,賀剛,邱俊龍,許諾,雷琨,張宸彬,徐喆,朱嘉鎮(zhèn)印度超人
佩麗冉卡·曹帕拉,赫里尼克·羅斯?jié)h,納薩魯丁·沙斷魂小丑3
杰森·帕特里克,丹尼爾·洛巴克,大衛(wèi)·霍華德·桑頓,勞倫·拉維拉,拜斯·約翰遜,布拉德利·斯泰克爾,克里斯·杰里科,薩曼莎·斯卡菲迪,瑪格麗特·安妮·佛羅倫斯,埃利奧特·富勒姆,亞歷克薩·布萊爾·羅伯遜,Antonella Rose,克里斯·??怂?夏洛特·麥基,西耶娜·休伯特-羅斯,奇普·卡里爾,盧西亞娜·凡德特,Annie Lederman,Kellen Raffaelo,安妮·萊德曼太空運(yùn)輸
馬丁·拉波德,Michael Finger,Claude-Oliver Rudolph甜蜜的家2025
姜恩彬,盧仙禧,樸秀彬同類(lèi)推薦
特蕾莎修女
勞米·拉佩斯,西爾維婭·侯克斯,尼古拉·里斯坦諾夫斯基,Ekin Corapci,Marijke Pinoy,拉賓娜·米特威斯卡講述特蕾莎修女一生中關(guān)鍵的7天,即她決定離開(kāi)加爾各答的洛雷托·恩塔利修道院,創(chuàng)立自己的修道會(huì)的時(shí)期。
罪生咒
與丈夫離婚后,Alice必須承擔(dān)起單親母親的全部責(zé)任,照顧她全心全意愛(ài)著的兒子August,一個(gè)好奇的小男孩。他從小就對(duì)A、他的父親和他自己的故事充滿疑問(wèn)。就連他的母親也從未談起過(guò)他的父親,August15歲那年,神秘的故事開(kāi)始一點(diǎn)一點(diǎn)地跟隨他。他父親生前的囑托成為August從諾拉舞的秘密中發(fā)現(xiàn)恐怖的原因。在試圖讓他認(rèn)識(shí)到自己的業(yè)力同時(shí),Alice相信理性和正義。Alice竭盡全力拯救她所愛(ài)的兒子。但她越是反抗并帶領(lǐng)August遠(yuǎn)離現(xiàn)實(shí),詭異和奇怪的事件不斷升級(jí),直到August陷入危險(xiǎn)。決定返回尋找過(guò)去的真相。August生命危在旦夕,當(dāng)Lambam家的門(mén)打開(kāi)時(shí),里面的木樁從過(guò)去一直建到了現(xiàn)在,與她一起打開(kāi)的是Lambam家的老管理員Cherd叔叔,他知道整個(gè)故事。業(yè)力和所欠的誓言已經(jīng)開(kāi)始要求償還
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
雨和閃電的氣息
麥卡·夢(mèng)露,瑪姬·格蕾斯,布拉德·卡特改編自著名推理作家南希.皮卡德於《紐約時(shí)報(bào)》的暢銷(xiāo)同名小說(shuō) 過(guò)往的父母雙屍命案,因?yàn)闅⑷藘词殖霆z而再度成為喬蒂的噩夢(mèng),她被迫再次審視那道往日的傷痕,並且身不由己地反覆被仇恨啃噬…而家族秘辛也隨著時(shí)間過(guò)去,重新露出面目,要讓所有人都付出代價(jià)…。
毛骨悚然撞鬼經(jīng) 15周年特別篇
稻垣吾郎,草彅剛,北乃綺,坂上忍,石原里美,小池徹平,桐谷美玲,菜菜緒,黑木瞳,町田啟太,剛力彩芽,島崎遙香,廣瀨愛(ài)麗絲,藤本泉S銅山的女人:失意的保險(xiǎn)公司業(yè)務(wù)員山邊夏美(石原里美 飾)和同僚桑原(小池徹平 飾)在歸途中誤入被封閉多年的S銅礦山,由此遭遇了一連串恐怖的詭異事件;小智:被情感困擾的女孩里奈(剛力彩芽 飾)按照都市傳說(shuō)給自己的手機(jī)打了電話,并連念三遍“小智”,希望解開(kāi)心中疑惑,誰(shuí)知此后卻被小智纏上;兇手是誰(shuí):看似陰沉的派遣職員熊谷(北乃紀(jì)伊 飾)自稱(chēng)能夠看到別人看不到的真相,她的上司三澤健太(草剪剛 飾)起初并不相信,但接連的事實(shí)讓他大為震驚;誘惑的森林:小葵(島崎遙香 飾)和朋友結(jié)菜(廣瀨愛(ài)麗絲 飾)去山里游玩,山中一間老舊的廁所卻帶給她們最恐怖的回憶;把手給我:勤奮的OL瀧本理沙(桐谷美玲 飾)不知何時(shí)與同學(xué)兼同事的好友雅美(菜菜緒 飾)關(guān)系變差,壓力巨大的她發(fā)現(xiàn)每晚都有一只手緊緊抓住她的胳膊;出租車(chē)司機(jī)的自述:老實(shí)的出租車(chē)司機(jī)中川(坂上忍 飾)在晚上載了一位要去很遠(yuǎn)地方的女客人,但是這位客人竟是如此沉默;黑暗中的視覺(jué):人過(guò)中年的森川千尋(黑木瞳 飾)在一家工廠找到工作,擁有天眼的她看到了許多的鬼魂。