紅天使淫畫腸

5.1 播放:37萬 更新:2026-04-24

在百貨公司上班的土屋名美被她的已婚上司包養(yǎng)著,曾經(jīng)為了賺錢她給一家色情雜志社拍過裸照。最近一段時(shí)間以來,名美總覺得有變態(tài)佬跟蹤她,而且常常接到只有粗重喘氣聲的電話。后來名美認(rèn)定變態(tài)佬是一個(gè)半路上突然開始跟著她的年輕男子村木,但其實(shí)對(duì)方只是因?yàn)榭催^她的裸照而非常仰慕她而已。不久后,名美的上司發(fā)現(xiàn)了她拍裸照的事情,他擔(dān)心萬一將來兩人私情曝光影響事業(yè),所以把名美辭退。名美感到生活沒了希望,這時(shí)村木又出現(xiàn)了,但他能讓名美走出陰霾嗎?  本片以片斷式的劇情向前發(fā)展直到結(jié)束,很多畫面被處理成透明的血紅色,還有很多鏡頭則頗具幻想色彩,所以整部電影讓人感覺就象是一場(chǎng)凌亂的夢(mèng)。本片情色尺度是這個(gè)系列里最為大膽的,導(dǎo)演池田敏春很會(huì)拍這方面的戲,有些地方甚至還拍得非常具有藝術(shù)感,比如村木和名美冒著暴雨在健身公園里的那場(chǎng),有一個(gè)俯拍的鏡頭就很有《黑客帝國》的感覺。此外,影片中有非常多的自慰戲,都拍得很不錯(cuò),其中最令人印象深刻的當(dāng)屬一名少婦用雞蛋進(jìn)行自慰的過程,想象力真的是好豐富啊。;   

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在百貨公司上班的土屋名美被她的已婚上司包養(yǎng)著,曾經(jīng)為了賺錢她給一家色情雜志社拍過裸照。最近一段時(shí)間以來,名美總覺得有變態(tài)佬跟蹤她,而且常常接到只有粗重喘氣聲的電話。后來名美認(rèn)定變態(tài)佬是一個(gè)半路上突然開始跟著她的年輕男子村木,但其實(shí)對(duì)方只是因?yàn)榭催^她的裸照而非常仰慕她而已。不久后,名美的上司發(fā)現(xiàn)了她拍裸照的事情,他擔(dān)心萬一將來兩人私情曝光影響事業(yè),所以把名美辭退。名美感到生活沒了希望,這時(shí)村木又出現(xiàn)了,但他能讓名美走出陰霾嗎?  本片以片斷式的劇情向前發(fā)展直到結(jié)束,很多畫面被處理成透明的血紅色,還有很多鏡頭則頗具幻想色彩,所以整部電影讓人感覺就象是一場(chǎng)凌亂的夢(mèng)。本片情色尺度是這個(gè)系列里最為大膽的,導(dǎo)演池田敏春很會(huì)拍這方面的戲,有些地方甚至還拍得非常具有藝術(shù)感,比如村木和名美冒著暴雨在健身公園里的那場(chǎng),有一個(gè)俯拍的鏡頭就很有《黑客帝國》的感覺。此外,影片中有非常多的自慰戲,都拍得很不錯(cuò),其中最令人印象深刻的當(dāng)屬一名少婦用雞蛋進(jìn)行自慰的過程,想象力真的是好豐富啊。;   

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炸掉銀行經(jīng)理

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喪尸特警

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 兩位壯漢刑警在調(diào)查一起銀行劫案時(shí),發(fā)現(xiàn)犯罪分子居然個(gè)個(gè)刀槍不入。根據(jù)線索,他們找到一家公司,似乎最近的很多案件都和這家公司的一個(gè)秘密實(shí)驗(yàn)室有關(guān)。后來,此兩位硬漢在與犯罪分子的斗爭(zhēng)中不幸相繼殉職,但這恰好給他們創(chuàng)造了機(jī)會(huì)——兩個(gè)人亦成為試驗(yàn)品,他們的尸體即將被一個(gè)懷揣著極大陰謀的邪惡博士所利用……然而,哼哼,英勇的人民公安是不會(huì)向犯罪集團(tuán)低頭的,you can't keep a good cop dead!

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

雙生疑云

Anjali,Joju George,Srindaa

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