土匪女皇
這是一個了不起的電影。 ;強(qiáng)盜女王 ，一個現(xiàn)代化的現(xiàn)實(shí)生活中的印度逃犯，德維Phoolan（;花神 ）是一個強(qiáng)大的和令人反感的寫照。電影作為新娘的中年男子在哪個點(diǎn)的11歲Phoolan的銷shou打開?；閮?nèi)強(qiáng)迫和虐待如下驅(qū)動器，作為一個棄兒，她帶走，并最終進(jìn)入搶劫的生活。 我發(fā)現(xiàn)在這部影片中最引人注目的是，它不只是作為刻畫了女主角一個;委屈的女人 ，但作為一個女人有深層次的心理問題 - 對我來說，她頻頻亮相，是徹頭徹尾的精神病。肆無忌憚的有幾個場景，我可能會說限制級，暴力，Phoolan看到逐漸清盤從憤怒到邪惡。在這些場景中，她擊敗前夫用槍托。這是 - 我認(rèn)為它的意思是 - 令人作嘔。 ;強(qiáng)盜女王 在印度是很有爭議的。它被廣泛認(rèn)為是奧斯卡的材料，但顯然并沒有使印度電影制作社區(qū)內(nèi)由于政治斗爭的列表。這是非常值得觀看。但我只推薦它的人具有很強(qiáng)的肚子。這是一個真實(shí)的故事（現(xiàn)實(shí)生活中的Phoolan德維嫁給了她的種姓以上，并成為第一個賤民在印度議會服務(wù)），但它是一個故事，沒有一個圓滿的結(jié)局。
即刻觀影
劇情賞析
編輯推薦
暗殺國度
奧黛莎·楊,阿布拉,蘇琪·沃特豪斯,哈莉·尼夫,科爾曼·多明戈,丹尼·拉米雷斯,喬爾·麥克哈爾,茉德·阿帕圖,科迪·克里斯蒂安,比爾·斯卡斯加德,庫倫·莫斯,貝拉·索恩,小凱文·哈里森,阿尼卡·諾尼·羅斯,杰夫·波普,諾亞·蓋爾文背景設(shè)定在馬薩諸塞州塞勒姆鎮(zhèn)，當(dāng)一個破壞分子開始在網(wǎng)上發(fā)布小鎮(zhèn)里每個人的私人生活細(xì)節(jié)，將小鎮(zhèn)生活攪得天翻地覆后，一個精通社交媒體的高中學(xué)生和她的朋友們等待著觀察最終結(jié)果。 瀏覽器歷史記錄、私信、非法下載、秘密文本鏈甚至更加糟糕的因素，造成了數(shù)字時(shí)代能夠發(fā)生的最糟糕的情況。
揚(yáng)帆
貝蒂·戴維斯,保羅·亨雷德,克勞德·雷恩斯,格拉黛絲·庫珀夏洛特（貝蒂·戴維斯 Bette Davis 飾）已經(jīng)能算得上是一個老姑娘了，她梳著呆板的發(fā)型，穿著保守的服裝，性格也古里古怪的，更糟糕的是，她似乎還染上了酗酒的壞毛病。在家人的建議之下，夏洛特決定踏上治療心靈的旅途，登上了駛往遠(yuǎn)方的游輪。在游輪上，夏洛特邂逅了名為杰瑞（保羅·亨雷德 Paul Henreid 飾）的男子，并且在誤打誤撞之中和杰瑞的女兒結(jié)下了深厚的友誼。很快，夏洛特就感到自己墜入了情網(wǎng)之中，然而，此時(shí)的杰瑞并不是自由身，他有這一段無法結(jié)束的婚姻。心碎的夏洛特選擇了離開，而夏洛特的母親也在不久之后撒手人寰。
倚天屠龍記之魔教教主
李連杰,張敏,邱淑貞,黎姿,洪金寶,吳鎮(zhèn)宇,吳耀漢,曹榮,閆懷禮,梁家仁,鄒兆龍,田啟文,張春仲,姬麒麟張翠山（吳鎮(zhèn)宇 飾）攜妻及子張無忌（李連杰 飾）從孤島出發(fā)趕去給其師父賀百歲大壽的途中，被人暗算，張無忌中寒冰掌。在武當(dāng)山，張翠山和妻子被各大門派逼迫致死，張無忌也不再能練習(xí)武功，只能靠張三豐每日所輸真氣得以殘活。張三豐的舉動引來宋青書（鄒兆龍 飾）的妒忌，他聯(lián)合了峨眉女弟子周芷若（黎姿 飾）共同對付張無 忌。明教圣女小昭（邱淑貞 飾）令張無忌改變命運(yùn)，使其先在斷崖上遇到高人治好體內(nèi)寒冰毒、學(xué)會九成“九陽神功”，又在明教禁地練得“乾坤大挪移心法”。得知蒙古郡主趙敏（張敏 飾）設(shè)計(jì)令江湖六大派圍攻光明頂想殲滅明教時(shí)，張無忌決意為拯救明教赴湯蹈火。
超乎想象2
丹尼斯·奎德,阿莉爾·凱貝爾,米洛·文堤米利亞,索菲亞·斯凱爾頓,喬比·詹姆斯,特雷斯·阿德金斯,約書亞·巴塞特,安赫拉·約翰遜,杰森·伯基,Del Sable,艾比·格洛弗,薩米·戴爾,妮可兒·德伯特,蘭迪·麥克道維爾Bart Millard, lead singer of MercyMe, faces a personal crisis at the peak of his success. As his world unravels, he struggles with his beliefs and inner demons while seeking a path through adversity.
三人世界
林子祥,鄭裕玲,關(guān)之琳,周慧敏,劉嘉玲,羅美薇,盧冠廷,金燕玲,周文健劉雅歷（林子祥 飾）是一名廣告公司高層，但感情生活并不如意——女友碧姬（關(guān)之琳 飾）與他分手了。本來就沉默寡言的雅歷更加孤寂傷痛了，生活依舊刻板平凡?！ 『髞硭谝粋€合唱團(tuán)里認(rèn)識了一位極有天分的女孩巫慧敏（周慧敏 飾），本來打算對她多加照顧培訓(xùn)，卻遭到慧敏母親朱麗娥（鄭裕玲 飾）的不滿，以為雅歷對自己年輕的女兒動了歪念，兩人也因此成為了斗氣冤家?！ 〗?jīng)多次的交往之后，朱麗娥才發(fā)現(xiàn)自己誤會了雅歷，便對他完全改觀了，有困難的時(shí)候麗娥也主動找雅歷幫忙。麗娥本來就是個離婚婦人，遇到了同樣感情空虛的雅歷，兩人之間很快便滋長了愛情。這時(shí)，雅歷的前女友碧姬卻回來要求復(fù)合……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.