影片推薦
巨人來(lái)襲
小林家的龍丫頭:怕寂寞的龍
長(zhǎng)繩麻理亞,田村睦心,桑原由氣,高田憂(yōu)希,高橋未奈美,杉浦栞 ,小野大輔,中村悠一,加藤英美里,石原夏織菜肉餛飩
周野芒,潘虹,茅善玉,陳國(guó)慶,王琳,徐祥,高博文,王菊,陳龍,馮瑪婭,倪夏蓮,安棟,王佳彥,曹可凡,袁鳴,章齡之,戰(zhàn)士強(qiáng),張芝華,張建亞,顧曉東,卞根琴,孔祥東,賈梓樂(lè),錢(qián)小昆,陳瀚波,黃英告白
松隆子,岡田將生,木村佳乃,西井幸人,橋本愛(ài),蘆田愛(ài)菜,三吉彩花,藤原薰,井之脅海,清水尚彌,高橋努,一井直樹(shù),能年玲奈,新井浩文,野本螢回應(yīng)我
蘇菲·王爾德,阿里·麥卡錫,哈米什·菲利普斯,基特·埃爾哈特·布魯斯,薩拉·布羅肯莎,杰登·戴維森,桑尼·約翰遜,馬庫(kù)斯·約翰遜,基達(dá)安·澤勒克,詹姆斯·奧利弗,喬·伯德,杰特·加茲利,亞歷珊德拉·詹森,Dog,Helene Philippou,米蘭達(dá)·奧圖,佐伊·特雷克斯,克里斯·阿洛西奧,奧蒂斯·丹吉,利安娜·瓦爾斯曼,亞歷珊卓婭·斯蒂芬森,亞采克·科曼瘋狂特警隊(duì)
丹尼·伯恩,愛(ài)麗絲·波爾,米歇爾·布朗,伊萬(wàn)·阿達(dá)勒,薩賓·阿澤瑪,帕特里克·米勒,弗朗西斯·利范德,安·瑪麗文,弗洛亨特·皮耶,阿蘭·杜泰,于爾班·康塞利埃,弗朗索瓦·溫琴泰利同類(lèi)精選
時(shí)間浪人之愛(ài)你一大跳
艾倫,林佳陵,黃妮娜,郭祥鵬,陳姝,苗馳,紀(jì)陽(yáng)木灰色女士
埃里克·迪恩,Natalie Zea,Amy Madigan,艾德里安·萊斯特,Carolyn Stotesbery,Chris Meyer,Rebecca Gayheart,Jimmy Cummings,Laila Robins天才游戲
彭昱暢,丁禹兮,李蔓瑄,鄧恩熙,侯雯元不良街區(qū)
張本煜,黃塏翔,劉揚(yáng),町田悠宇,粘土大介鬼屋脫身
Jaclyn Betham,絲柯·泰勒-考普頓,蘭德里·阿爾伯特,萊恩·托冉,Noah Lowdermilk,Jamil Walker Smith,Lane Caudell,Ben Deschaine,Chrystopher Ryan Johnson,Kynsleigh Queen,Liz Zwiebel愚者的身份
北村匠海,綾野剛,林裕太,山下美月,矢本悠馬,木南晴夏影視排行
絕命空間站
Julia Franz Richter,喬治·布萊頓,馬克·伊瓦涅2056 - Company soldier Hannah and scientists Gavin and Dimitri are on board of RUBIKON space station researching an algae project aimed to provide humanity with a permanent supply of oxygen and food. But all of a sudden the earth beneath them disappears in a brown, toxic fog and all contacts are broken - are they the last survivors? Should they leave the safe station, risk their lives by flying back? What is worth living for, what is worth dying for?
我最特別的朋友
張頌文,曾柯瑯,陳永勝,王悅伊,石老板,胡宇,田甜真正的友情從無(wú)關(guān)身份,而是兩個(gè)迷茫的靈魂恰好相互照亮。生活失意的老鄭與無(wú)處可去的亮亮相遇,老鄭意外成為網(wǎng)紅,而亮亮成了他身邊最堅(jiān)定的搭檔。 兩人一路同行,也在彼此的生命中照進(jìn)光芒。一段身份懸殊的特殊友誼,在笑淚交織中悄然生長(zhǎng)。 然而,當(dāng)老鄭在流量中逐漸迷失走向失控,這段關(guān)系也迎來(lái)了前所未有的考驗(yàn)……他們,能否成為彼此最特別的那束光?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
不可饒恕
薛景求,韓惠軫,柳昇范最近,城市里發(fā)生了可怕的殺人事件,一具被切割成6塊的女尸的曝光和兇手的逍遙法外引起了社會(huì)的恐慌。作為休假的交換條件,搜查科研究員姜民浩(薛景求 飾)接下了這個(gè)棘手的案件。行事雷厲風(fēng)行的他和推理天才閔瑞英(韓惠珍 飾)聯(lián)手,調(diào)查取得了突飛猛進(jìn)的進(jìn)展,嫌疑人李圣浩( 柳承范 飾)的名字漸漸浮出水面。 李圣浩一經(jīng)逮捕就對(duì)自己所犯的罪行供認(rèn)不諱,可是姜民浩卻發(fā)現(xiàn)事實(shí)并不是他所說(shuō)的那么簡(jiǎn)單。就在這個(gè)節(jié)骨眼上,姜民浩的女兒突然失蹤,他明白這絕對(duì)和李圣浩脫不了干系。李圣浩告訴姜民浩,若想要得知女兒的下落,就必須和他玩一個(gè)解謎的游戲——解開(kāi)他留在尸體上的謎題。一場(chǎng)以生命為籌碼的賭注開(kāi)始了。