即刻觀影
劇情賞析
編輯推薦
萬圣節(jié)傳說
波波·斯圖爾特,格蕾絲·菲普斯,奧斯丁·法爾克,阿德里安娜·巴比歐,凱爾·吉克瑞斯特,山姆·威特沃,巴瑞·波斯威克,格雷戈·格倫伯格,林·沙燁,約翰·蘭迪斯,何塞·巴勃羅·坎蒂略,芭芭拉·克蘭普頓,喬·丹特,亞當·格林,羅伯特·拉斯勒,諾阿·西甘,帕特·希利,斯圖爾特·戈登,米克·加里斯,拉斐爾·喬丹,寶拉雅娜·麥金托什,詹姆斯·杜瓦爾,艾麗克斯·埃索,克里斯蒂娜·克萊伯,卡羅琳·威廉姆斯,達納·古爾德1）名叫蒂米的男童怨靈會在萬圣節(jié)當晚四處尋找糖果，甚至會為此挖開他人的肚子；2）小男孩被逼迫去一戶人家惡作劇，結果被長著角的男主人抓住，兩人一起上街惡搞乃至戕害狂歡的人群；3）某戶人家正坐在客廳看電影，這時有個打扮成巫婆的女孩敲門，卻用刀捅了男主人，恐怖的萬圣節(jié)變成災難，當然他們正為自己的所作所為付出代價；4）二男一女不良少年團伙在萬圣節(jié)之夜四處欺負他人，這時打扮成魔鬼的少年出面阻止他們，反而被三人抓住。5）老婦人和親朋們講述了瑪麗?貝利的傳說，那是一個不愿意被人看到的女人的怨靈，如果被她看到可就慘了；6）無法承受喪女之痛的女人在萬圣節(jié)之夜變成了心理失衡的惡魔；7）中年人的對面，搬來幾個重口味的金屬青年，夜幕降臨，他和重金屬們發(fā)生了沖突；8）密林深處，失魂落魄的少女被無情的殺人狂追逐，突然怪事發(fā)生；9）兩個劫匪企圖在萬圣節(jié)綁架某富豪的孩子，怎奈請神容易送神難；10）男人好不容易雕了一個南瓜頭，結果南瓜頭突然活了過來，大鬧街頭。
靈異醫(yī)院
Sara Foster,Cary Elwes,Michael Biehn,Gabriel Mann,Colleen Camp,Winter Ave Zoli,Susie Amy,Katherine Shanklin影片《靈異醫(yī)院》講述的是一個有著不堪過去的女人在一家新近倒閉關門的醫(yī)院找到了一份核對病人簡歷復印件的工作，而孤獨一人在隔絕的醫(yī)院值夜班的過程中她經(jīng)歷了一些神秘事件。有所警覺的她通過這些事件發(fā)現(xiàn)醫(yī)院可能和近日出現(xiàn)的謀殺案有關，而要破解這些謎團，首先她需要仔細梳理一下自己混亂的過去。
瘋狂的外星人
黃渤,沈騰,湯姆·派福瑞,馬修·莫里森,徐崢,于和偉,雷佳音,劉樺,鄧飛,蔡明凱,王戈,凱特·納爾遜,王硯偉,呲路號稱銀河系最先進的外星文明試圖和地球建交，誰知一連串的誤會導致意外發(fā)生。外星使者的飛船墜入大氣層，最終摔在了中國某市的世界公園中。靠耍猴戲為生的耿浩（黃渤 飾）和酒販子好友大飛（沈騰 飾）把受傷的外星人錯認為來自南美洲的猴子，在自家猴子受傷的情況下，耿浩開始訓練起這個他口中的“剛果騷騷猴”來了。由于失去了超能力加成設備，外星人的本事無法施展，只能任由這兩個傻乎乎的地球人打罵操練。盡管如此，他仍試圖奪回自己的裝備。另一方面，之前與外星人交流失敗的超級大國根據(jù)外星人留下的信息，穿梭世界各地尋找外星使者。地球的命運朝著不可預測的方向發(fā)展…… 本片創(chuàng)意來自劉慈欣的科幻小說《鄉(xiāng)村教師》。
圣安地列斯地震
Jhey Castles,Jason Wood,格瑞思·范·迪恩Molly Dunn（Jhey Castles 飾）從小熱愛地理，她曾在半夜做實驗鬧得家人不得安寧，但是她并不是一個十分幸運的孩子，父親很早就死于一場地震災害中。長大后Molly成為了一名地質學家，在一所大學教書，某天她正在做一項預測地震的試驗，安放在各處的傳感器數(shù)據(jù)顯示即將會有一場大地震發(fā)生，她必須通知所有人撤離，但是她的力量實在太薄弱了，并沒有人愿意聽信她的預測，地震如期而至，她只有與時間賽跑，盡可能的拯救更多的人。
心靈與智慧
德懷特·戴維·艾森豪威爾,William Marshall,喬治·皮杜爾本片是由哥倫比亞電影公司出資委任電視紀錄片導演皮特?戴維斯（Peter Davis）拍攝的一部探討美國為何在1959-1975年期間發(fā)動對越戰(zhàn)爭，越南人民的悲慘遭遇，以及美國人民對越戰(zhàn)態(tài)度轉變的紀錄片。這是美國本土首次放映直接采訪刻畫越南平民慘境的影片，片中多次表現(xiàn)了美軍將領的種族主義和美國政府對國內(nèi)人民的無恥欺騙。電影于1974年在法國嘎納電影節(jié)首映，隨即便因內(nèi)容的嚴重爭議性被哥倫比亞公司擱置。制片人波特?施耐德（Bert Schneider）與亨利?蘭格（Henry Lange）向哥倫比亞公司買回了版權，并終于1975年通過華納公司在美國公映。本片獲1974年奧斯卡最佳紀錄片獎，并被提名同年金球獎最佳紀錄片。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.