半妖乳娘

演員龜岡拓次

　　演員龜岡拓次（安田顯），37歲、單身。作為演員，無論是配角還是什么角色都能出色演出，但是，人們卻怎么也記住不到他的名字。每一天的日常就是便宜的酒館里喝酒。直到有一天，收到了世界大物的甄選……

黑暗崛起

　　Nearly murdered as a child by her mother, a woman (Katrina Law) returns to the house where her mom went mad.

瘋狂的外星人

　　號稱銀河系最先進(jìn)的外星文明試圖和地球建交，誰知一連串的誤會導(dǎo)致意外發(fā)生。外星使者的飛船墜入大氣層，最終摔在了中國某市的世界公園中?？克：飸驗樯墓⒑疲S渤 飾）和酒販子好友大飛（沈騰 飾）把受傷的外星人錯認(rèn)為來自南美洲的猴子，在自家猴子受傷的情況下，耿浩開始訓(xùn)練起這個他口中的“剛果騷騷猴”來了。由于失去了超能力加成設(shè)備，外星人的本事無法施展，只能任由這兩個傻乎乎的地球人打罵操練。盡管如此，他仍試圖奪回自己的裝備。另一方面，之前與外星人交流失敗的超級大國根據(jù)外星人留下的信息，穿梭世界各地尋找外星使者。地球的命運朝著不可預(yù)測的方向發(fā)展……　　本片創(chuàng)意來自劉慈欣的科幻小說《鄉(xiāng)村教師》。

韓塞爾與葛雷特

　　因母親染病，青年李恩洙（千正明 飾）驅(qū)車向家中趕去，但中途遭遇車禍，翻到路邊。當(dāng)他從昏迷中醒來時，發(fā)現(xiàn)眼前站著一個有如天使般的女孩子（沈恩京 飾）。在這個名叫英姬的女孩的引導(dǎo)下，恩洙隨之來到了女孩位于密林深處的家。那是一幢宛如從童話書中出來的夢幻而華美的大房子，家中擺放著各種各樣精巧可愛的飾品。這里住著英姬、她的父母、哥哥萬福（殷元宰 飾）以及妹妹貞順（陳智熙 飾）。疲勞疼痛的恩洙起初并未察覺絲毫一樣，可是他很快便發(fā)現(xiàn)，如此美好的童話所在竟成為永遠(yuǎn)無法逃離的樊籬……　　本片榮獲2009年葡萄牙奇幻國際電影節(jié)評委會特別獎。

致我的青春

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.