完美搭檔

★ 8.1 播放：62萬 更新：2026-04-24

曾經(jīng)是著名劇作家的俊熙（金英浩暫無內(nèi)容飾）已經(jīng)沉寂了7年之久，這期間，他的日子過得即郁悶又苦逼。在朋友的建議下，他決定通過談戀愛的方式來重新激發(fā)起自己的創(chuàng)作欲望，然而，戀愛是雙人運動，他那如花似玉的女學生成了首當其沖的人選。同時，廚師熙淑（金慧善暫無內(nèi)容飾）也陷入了職業(yè)生涯的低谷期，不但對一直都熱愛著的事業(yè)提不起勁，也再無熱情去好好經(jīng)營生活。就在這悲催的境地里，有人提議一場戀愛或許能夠換來新生，靈光一現(xiàn)的熙淑將目光投向了自己年輕單純的男弟子。然而，這四個人的關系并不如想象的那樣簡單，當感情脫離了理智的控制，他們該如何收拾這個爛攤子呢？

在線播放

劇情簡介

曾經(jīng)是著名劇作家的俊熙（金英浩暫無內(nèi)容飾）已經(jīng)沉寂了7年之久，這期間，他的日子過得即郁悶又苦逼。在朋友的建議下，他決定通過談戀愛的方式來重新激發(fā)起自己的創(chuàng)作欲望，然而，戀愛是雙人運動，他那如花似玉的女學生成了首當其沖的人選。同時，廚師熙淑（金慧善暫無內(nèi)容飾）也陷入了職業(yè)生涯的低谷期，不但對一直都熱愛著的事業(yè)提不起勁，也再無熱情去好好經(jīng)營生活。就在這悲催的境地里，有人提議一場戀愛或許能夠換來新生，靈光一現(xiàn)的熙淑將目光投向了自己年輕單純的男弟子。然而，這四個人的關系并不如想象的那樣簡單，當感情脫離了理智的控制，他們該如何收拾這個爛攤子呢？

導演精選

圣誕傾情

　　養(yǎng)尊處優(yōu)的酒店繼承人（琳賽·洛翰 Lindsay Lohan 飾）才訂婚不久，便因一場滑雪意外完全失憶。幸好藍領階層的英俊木屋主人（考德·歐威爾斯特利特 Chord Overstreet 飾）和他聰慧早熟的女兒收留了她，三人共同度過圣誕節(jié)前的時光。

雙雄出擊

東南亞M國，臥底警員昂基潛伏毒窩查“藍色天堂”配方，遇退伍特種兵哥登。哥登妻子慘喪毒梟坤沙之手、兒子被擄。二人因正義與復仇聯(lián)手，闖毒巢、救被拐兒童、斗黑警與毒販，歷經(jīng)生死終將坤沙團伙擊潰。緝毒信念不滅，兄弟情義滾燙，盡顯邪不壓正的正義力量。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster