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開心鬼撞鬼
黃百鳴,張曼玉,袁潔瑩,陳加玲,徐克,曹查理閣樓上的女孩
珍·路易莎·凱利,索菲亞·卡里埃,基南·特雷西馬爾切洛·埃爾南德斯:美國(guó)男孩
馬爾切洛·埃爾南德斯百日孤獨(dú)
伊萬(wàn)·瑞恩,安德烈·赫尼克,雷納·沃納,佐伊·格萊斯戴爾,尼爾斯-布魯諾·施密特,蒂姆·威廉姆斯,克里斯蒂安·帕斯奎雷羅華氏247
絲柯·泰勒-考普頓,克里斯蒂娜·烏洛亞,特拉維斯·范·文克,邁克爾·科彭,泰勒·梅恩,Rene Etore,托尼克·戈格里基亞尼,Jeremy Inabnit,Igor Lukin,Ibrahim Idowu,Michael Zaalishvili,Michael Andrew,Beso Natsvlishvili,George Dugashvili,Mamuka Mazavrishvili II寫寫畫畫
永野芽郁,大泉洋,見上愛,畑芽育,鈴木仁,神尾楓珠,森愁斗,青柳翔,長(zhǎng)井短,津田健次郎,齊藤由貴,有田哲平,山野仁,大森南朋同類推薦
旅途中的日子
沈恩敬,堤真一,河合優(yōu)實(shí),高田萬(wàn)作,佐野史郎,齊藤陽(yáng)一郎,松浦慎一郎,足立智充,梅舟惟永,柴田貴哉,中村祐太郎,貝拉·梅改編自柘植義春的漫畫《海邊的抒景》《混沌洞的笨先生》,講述郁郁不得志的李編劇因緣際會(huì)來(lái)到一個(gè)大雪紛飛的深山中,誤打誤撞進(jìn)入了一家破舊的旅館。屋頂幾乎被積雪壓塌,旅館的老板笨造看起來(lái)毫無(wú)干勁,旅館里沒有暖氣,飯菜也馬馬虎虎,連床鋪都得自己鋪。然而,笨造似乎藏著什么秘密。某天晚上,笨造帶著李踏入了夜晚雪原……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
愛的藝術(shù)2020
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毛骨悚然撞鬼經(jīng) 2020秋季特別篇
稻垣吾郎,上白石萌音,片岡愛之助,水上恒司,川島鈴遙,桐谷美玲,菜菜緒,長(zhǎng)澤雅美,神木隆之介,伊藤淳史,堀北真希,坂上忍,生田繪梨花,生駒里奈,白石麻衣,西野七瀨,齋藤飛鳥,佐藤健本集收錄新作《造了不開啟的房間》《有內(nèi)情的KTV》及過(guò)去二十年名作選《交出手臂》《身后的女人》《深夜的鏡像》《懸崖下》《書本招來(lái)的幽靈》《出租車司機(jī)的經(jīng)歷》《多出一人的電梯》《顏之道》。
暗金丑島君:完結(jié)篇
山田孝之,綾野剛,永山絢斗,真飛圣,間宮祥太朗,海,最上摩卡,真野惠里菜,仲野太賀,狩野見恭兵,湊莉久,天使萌,槙田雄司,玉城蒂娜,六角精兒,茂呂師岡,安藤政信,八島智人,高橋瑪莉潤(rùn),崎本大海,矢部享佑在物欲橫流的社會(huì)里,高利貸公司CowCow Finance的事業(yè)繼續(xù)蒸蒸日上。然而,隨著某日突然來(lái)訪的,將社長(zhǎng)丑島馨稱呼為“小馨”的中學(xué)同班同學(xué)竹本的出現(xiàn),丑島的過(guò)去逐漸被揭開。丑島與盟友戌亥、得力下屬柄崎和高田不得不面對(duì)來(lái)自知曉丑島過(guò)去故事的最強(qiáng)敵對(duì)者鱷戶三兄弟、與丑島舊恨未了又添新仇的女性高利貸者犀原茜、欲要?dú)绯髰u的十分有手腕的律師都陰以及立場(chǎng)無(wú)法判明的竹本的多重挑戰(zhàn),CowCow Finance史上最大危機(jī)來(lái)臨……