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淺野忠信,瀧內(nèi)公美,托比·凱貝爾,高岡早紀(jì)刺身者
Jason Behr,Mia Blake,David Fane,Robbie Magasiva,Michael Hurst,Timothy Balme,Nathaniel Lees歸途2025
伊沙恩·哈塔爾,詹維·卡浦爾,莉姆·謝赫,Vishal Jethwa致命圍困
米莎·巴頓,黛博拉·卡拉·安格,卡梅隆·布萊特皆為好事
盧卡斯·德拉蒙德,Liev Carlos,吉列爾梅·提奧,諾瓦爾·伯巴里,Cecília Brito,Fernando Libonati,Igor Leoni,雷娜塔·卡瓦略,Lizz Miranda,Brenda Oliveira,Rafael Freire,Matheus Nascimento,吉?dú)W瓦多·索扎,Cuié,Luke,Rouxinol,Gleysson Moreira,Helder Amorim,Laio Andrade,Marcus Vinicius聰明人
丹尼斯·奎德,莎拉·杰茜卡·帕克,托馬斯·哈登·丘奇,艾利奧特·佩吉,艾什頓·霍爾姆斯,克里斯汀·拉蒂同類(lèi)推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
新狂蟒之災(zāi)
保羅·路德,杰克·布萊克,史蒂夫·扎恩,坦迪·牛頓,艾斯·庫(kù)珀,丹妮拉·曼希沃,艾農(nóng)·斯凱,本·勞森,賽爾頓·梅羅,Renee Herbert,婭絲明·卡西姆,Aimee Bah,塞巴斯蒂安·瑟羅,Jack Waters,Diego Arnary,Cal Rein,Matt Aristizabal,胡依·西卡多·吉亞斯,Romeo Ellard,Reagan George為了翻拍影史經(jīng)典《狂蟒之災(zāi)》,格里夫(保羅·路德 飾)和道格(杰克·布萊克 飾)成立史上最窮劇組!在唯一一條演員蛇因傷下線后,他們決定深入亞馬遜雨林捉蛇補(bǔ)位,卻意外遇上真巨蟒,原本滑稽混亂的片場(chǎng)瞬間淪為致命險(xiǎn)境。在蛇口之下四處逃竄的他們,最終是會(huì)全員殞命還是順利殺青?
三塊廣告牌
弗蘭西斯·麥克多蒙德,伍迪·哈里森,山姆·洛克威爾,艾比·考尼什,盧卡斯·赫奇斯,彼特·丁拉基,約翰·浩克斯,卡萊伯·蘭德里·瓊斯,凱瑟琳·紐頓,凱瑞·康頓,澤利科·伊萬(wàn)內(nèi)克,薩瑪拉·維文,克拉克·彼得斯,尼克·瑟西,阿曼達(dá)·沃倫,瑪拉雅·瑞沃拉·德魯,布蘭登·薩克斯頓,邁克爾·艾倫·米利甘米爾德雷德(弗蘭西斯·麥克多蒙德 Frances McDormand 飾)的女兒在外出時(shí)慘遭奸殺,米爾德雷德和丈夫查理(約翰·哈克斯 John Hawkes 飾)之間的婚姻因此走到了盡頭,如今,她同兒子羅比(盧卡斯·赫奇斯 Lucas Hedges飾)過(guò)著相依為命的生活。一晃眼幾個(gè)月過(guò)去了,案件仍然沒(méi)有告破預(yù)兆,而警方似乎早已經(jīng)將注意力從案子上轉(zhuǎn)移了開(kāi)來(lái)。被絕望和痛苦纏繞的米爾德雷德租下了高速公路邊上的三塊巨型廣告牌,在上面控訴警方辦案無(wú)能,并將矛頭直接對(duì)準(zhǔn)了警察局局長(zhǎng)威洛比(伍迪·哈里森 Woody Harrelson 飾)。實(shí)際上,威洛比一直隱瞞著自己身患絕癥命不久矣的事實(shí)。因?yàn)檫@三塊廣告牌,米爾德雷德和威洛比的生活發(fā)生了翻天覆地的變化。
地下室居民
瑪利亞·埃沃利,Vanesa Restrepo,卡拉·雅道爾一晚,三位姊妹潛入一位參議員的家,欲偷走他透過(guò)賄賂得來(lái)的錢(qián)。進(jìn)行到一半時(shí),她們聽(tīng)見(jiàn)地下室傳來(lái)奇怪的聲音,決定前往調(diào)查。她們發(fā)現(xiàn)一位看似受到殘忍虐待的女孩被綁在床上。 這個(gè)半身不遂的女孩請(qǐng)求她們救她,她們也決定幫她。但她們不知道的是,這個(gè)女孩並不是受到虐待,而是被一個(gè)強(qiáng)大的黑暗力量附身,它將打開(kāi)另一個(gè)世界的大門(mén)。
一步之遙
姜文,葛優(yōu),周韻,舒淇,文章,王志文,洪晃,劉利年,那英,劉索拉,牛犇,姜洪齊北洋政府統(tǒng)治時(shí)期,盤(pán)踞上海的軍閥武大帥之子武七(文章 飾)為洗刷恥辱,輾轉(zhuǎn)找到了前清遺老馬走日(姜文 飾)求助。在此之后,馬走日和在法租界當(dāng)警督的發(fā)小項(xiàng)飛田(葛優(yōu) 飾)聯(lián)手策劃了名為“花域總統(tǒng)選舉”的大型選美活動(dòng),和馬從小就認(rèn)識(shí)的現(xiàn)總統(tǒng)完顏英(舒淇 飾)成功衛(wèi)冕。誰(shuí)知就在繁華喧囂的最頂點(diǎn),命運(yùn)之車(chē)竟急轉(zhuǎn)直下駛向深淵。在一個(gè)平凡的早上,完顏陳尸郊野,張皇失措的馬走日找到武七的姐姐武六(周韻 飾)及其母親齊老師(洪晃 飾),希望通過(guò)大帥幫自己洗刷殺人犯的罪名,結(jié)果卻盲打誤撞救下了險(xiǎn)些被整死的項(xiàng)飛田。背負(fù)殺人犯之名的馬絕路逃亡,而武六則以該事件拍攝了名為《槍斃馬走日》的電影,馬的命運(yùn)愈加撲朔迷離…… 本片根據(jù)民國(guó)奇案“閻瑞生案”改編。