鬼父2 下巻
《鬼父2》(日語(yǔ):鬼父2)是2009年8月28日發(fā)行的日本大人游戲,制作公司為BLUE暫無(wú)內(nèi)容GALE,原本標(biāo)題是《鬼父2暫無(wú)內(nèi)容~あんたみたいな鬼畜、お父さんじゃない!~》[1],后來(lái)受到電腦軟件愛(ài)情機(jī)構(gòu)對(duì)凌辱
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Caroline McQuade,Kenneth Trujillo,Wassim Hawat,Buffy Anne Littaua,Nicole Sharrock,Melissa Brattoni,Anthony Moisset,Marcus Johnson,杰克·坎貝爾,Melissa Davidson,Natalie Rose,Alex Gallant,Lily Brown Griffiths,Olga Olshansky,Mansoor Noor最小的女兒
納迪亞·梅利蒂,樸智敏,阿米娜·本·莫哈邁德,梅麗莎·古爾斯,麗塔·邦曼納納,Razzak Ridha,路易·梅米,Waniss Chaouki,阿諾亞·卡德拉斯,Joven Etienne,Madi Dembele,Mahamadou Sacko,Ahmed Kheloufi,Pascal Chanez,Sophie Garagnon,Julia Muller,尼莫·謝夫曼,Gabriel Elka?m,Vincent Pasdermadjian,Victorien Bonnet我的秘密圣誕老人
麥迪遜·麥克伊薩克,瑞安·艾戈?duì)柕?亞利桑德拉·布萊肯瑞吉,蒂亞·莫里,Andy Magee,亞當(dāng)·博謝納,杰登·歐尼亞,威廉·C·沃恩,巴里·W·萊威,Katie Stone,布列塔尼·霍布森,Cam Woodman,凱拉·哈瑟斯,Piper Dacosta妥瑞氏與我
羅伯特·阿拉馬約,彼得·穆蘭,瑪克辛·皮克,雪莉·亨德森,斯科特·埃利斯·沃特森,保羅·唐奈利,Douglas Rankine,Adam McNamara,Chris Dixon,大衛(wèi)·卡萊爾,史蒂芬·克里,Anthony Capaldi,Andrea Bisset,Francesco Piacentini-Smith,Gordon Peaston,Christina Modestou,Isla Mercer,Andrew McPhail,Malcolm McFadyen,Catriona McArthu無(wú)法饒恕的愛(ài)
薩拉·克利夫蘭,Matt Wells驅(qū)魔
勞拉·琳妮,湯姆·威爾金森,詹妮弗·卡朋特,坎貝爾·斯科特同類(lèi)推薦
意外空間
胡伯托·巴斯托,Erick Trinidad Camacho,Santiago Mendoza Cortes,Adrián Ladrón de Guevara,Enrique Mendoza,埃爾南·門(mén)多薩,勞爾·門(mén)德茲兄弟二人生活過(guò)的緊巴巴,弟弟生性懦弱,哥哥強(qiáng)勢(shì)霸道,這天,哥哥搶劫別人得來(lái)了錢(qián),兄弟二人正高興之際,一名偵探找上門(mén)來(lái),雙方發(fā)生爭(zhēng)執(zhí),追逐之中,三個(gè)人發(fā)現(xiàn)自己被困于無(wú)窮無(wú)盡的樓梯上,無(wú)論如何都走不到盡頭 …… 另一邊,一家人被困于無(wú)邊無(wú)境的馬路上,相同的加油站,相同的便利店,四周一望無(wú)際的荒野,卻如何都逃不出這可怕的地獄…… 兩個(gè)沒(méi)有界限的空間,他們要如何應(yīng)對(duì)內(nèi)心逐漸升起的絕望?
停滯
Dan Palmer,Tamaryn Payne,Mark Holden講述一個(gè)看門(mén)人被困在一個(gè)女廁所,遇到一批僵尸的攻擊……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
車(chē)庫(kù)驚魂
韋斯·本特利,瑞秋·尼科爾斯,西蒙·雷諾茲,菲利普·阿金,史蒂芬·穆?tīng)?米蘭達(dá)·愛(ài)德華茲,李善亨,格蕾絲·林恩·孔,芭絲謝芭·加內(nèi)特,Philip Williams,阿諾德·平諾克,弗蘭克·卡方圣誕前夜,雖然家人熱切地期盼,但美麗干練的女律師安吉拉(瑞秋·尼科爾斯Rachel Nichols 飾)仍在辦公室努力工作,進(jìn)行最后的沖刺。繁冗的工作終至尾聲,安吉拉獨(dú)自下到地下車(chē)庫(kù),準(zhǔn)備驅(qū)車(chē)回家。不過(guò)她的車(chē)無(wú)論如何也發(fā)動(dòng)不了,車(chē)庫(kù)電梯門(mén)也被鎖住,于是她只好向保安托馬斯(韋斯·本特利 Wes Bentley 飾)求助。托馬斯友善恭敬,熱情施以援手,卻不知其心中藏著怎樣的黑暗念頭?! ?xiě)字樓大門(mén)緊鎖,致使準(zhǔn)備乘計(jì)程車(chē)回家的安吉拉在此返回保安室求助托馬斯。時(shí)機(jī)業(yè)已成熟,托馬斯露出猙獰面目,他綁架了安吉拉,強(qiáng)迫她參加自己的圣誕晚宴。這個(gè)愛(ài)慕安吉拉的小男人,給安吉拉帶來(lái)一個(gè)宛如噩夢(mèng)般的圣誕節(jié)……
蛛網(wǎng)男孩
伍迪·諾曼,麗茲·卡潘,安東尼·斯塔爾,克利歐佩特拉·科爾曼,埃倫·杜賓,黛博拉·熱切娃,斯蒂芬妮·桑普森,Luke Busey,Jay Rincon,Jesse Vilinsky,Anton Kottas,Aleksandra Dragova,Aleksander Asparuhov,James Robinson,Jivko Mihaylov八歲的彼得(伍迪·諾曼 Woody Norman 飾)經(jīng)常受到來(lái)自臥室墻壁內(nèi)的神秘的、持續(xù)的敲墻聲的困擾——他的父母堅(jiān)持認(rèn)為這種敲擊聲只是他的想象。隨著彼得的恐懼加劇,他相信他的父母可能隱藏著一個(gè)可怕、危險(xiǎn)的秘密,并逐漸喪失對(duì)他們的信任。對(duì)于一個(gè)孩子來(lái)說(shuō),還有什么比這更可怕的呢?