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次世代機(jī)動(dòng)警察:首都決戰(zhàn)
真野惠里菜,福士誠治,筧利夫,太田莉菜,千葉繁愛的藝術(shù)2020
韓海印,???刺透
克里斯托弗·阿波特,米婭·華??莆炙箍?萊婭·柯絲達(dá),奧利維亞·邦德,瑪麗亞·迪齊亞,馬琳·愛爾蘭,達(dá)科塔·盧斯提克,維德爾·皮爾斯跳動(dòng)的心2
特里普蒂·迪姆里,維品·沙爾馬,希坦特·查杜爾韋迪外星人爆發(fā)
Ritchie Crane,Katherine Drake,Philip Alexander Baker,Ian Rowe,克里斯·巴尼科特,Tom Menary,Gemma Wilks,吉米·本內(nèi)特葉甫蓋尼·奧涅金
弗拉季米爾·弗多維琴科夫,阿廖娜·克梅爾尼茨卡亞,Liza Moryak,維克多·杜布朗拉沃夫,塔基楊娜·柳達(dá)耶娃同類推薦
安眠實(shí)驗(yàn)
Krit Jeerapattananuwong,Warisara Jitpreedasakul,Philaiwan Khamphirathat,凱·樂希迪柴,汪撒孔·拉薩米塔特,帕尼莎拉·里庫蘇拉康,Supanaree Sutavijitvong,卜密巴特·塔沃斯理,Dujdao Vadhanapakorn,Kim WaddoupFour insomniac med school students are lured into a neuroscience experiment that spirals out of control and must find a way out before it's too late.
這個(gè)阿爸真爆炸
梁家輝,蔡卓妍,關(guān)智斌任慕英(梁家輝 飾)是一個(gè)單親爸爸,以教授鋼琴來撫養(yǎng)女兒Ellen(蔡卓妍 飾)長大??墒桥畠荷螧and 5后就變得越來越不聽話,令任慕英十分擔(dān)心。Ellen一直覺得爸爸十分“娘娘腔”,覺得自己就算有什么麻煩,爸爸也是不可靠的人。Ellen的同學(xué)都誤會(huì)了她的爸爸是個(gè)江湖高手——慕夜飛鷹,相繼要求拜為師傅,此時(shí)Ellen才對(duì)爸爸改觀。但任慕英被誤以為是絕招的身手,不過是在照顧女兒的時(shí)候練出來的?! ∨畠洪_始覺得爸爸老了,可她還是到處惹禍,更被慕夜飛鷹的仇家脅持,任慕英為了救回女兒,獨(dú)自女兒被困的地方……
婚禮上我們討厭的人
艾莉森·珍妮,辛希亞·阿戴-羅賓森,克里斯汀·貝爾,本·普拉特,托尼·戈德溫,約翰·麥克米蘭,喬瑪·塔科內(nèi),達(dá)斯汀·米利甘,朱利安·歐文登,卡蘭·索尼,杰克森·戈登伯格,伊薩赫·德·班克爾,魯弗斯·瓊斯,喬尼·韋爾登,里奇·基伯,Lesley Ewen,艾瑪·戴維斯,羅布·豪森,里查·普拉卡什,勞倫斯·拉塞爾,皮埃爾·伯格曼,安德魯·G·奧格爾比,杰寧·哈瑞妮,阿德南·昆迪,Michelle Thomas,斯圖爾特·惠蘭,Davina Moon艾莉森·珍妮、安妮·墨菲(《富家窮路》)、本·普拉特將主演婚禮喜劇[婚禮上我們討厭的人](The People We Hate at the Wedding,暫譯)。該片由克萊爾·斯坎倫(《初來乍到》)執(zhí)導(dǎo),《開心漢堡店》第二季編劇Lizzie molyneux-logelin、溫迪·莫里紐克斯共同操刀劇本。該片根據(jù)格蘭特·金德撰寫的同名小說改編,有望成為另一個(gè)[四個(gè)婚禮和一個(gè)葬禮]。故事講述一個(gè)不太和睦的家庭,因?yàn)橐粓?chǎng)婚禮被迫相聚,他們過去的隔閡一點(diǎn)點(diǎn)被放大,這些也正是這個(gè)家庭在重歸于好的路上需要解決的問題。
邊境戰(zhàn)爭(zhēng)2
瓦倫·達(dá)萬,桑尼·戴爾,迪爾吉特·多桑,阿汗·謝迪,Hariom Kalra,莫娜·辛格,索納姆.巴吉瓦,Medha Rana,Ali Hassan,Anya Singh,帕蘭維爾·切瑪,阿努拉格·阿羅拉,Ishika Gagneja,Sudesh Berry,Gaurahha Ujjwal,Vaquar Shaikh,Karan Maan1971年印巴戰(zhàn)爭(zhēng)期間,年輕的印度戰(zhàn)士準(zhǔn)備保護(hù)自己的家園免受更大的威脅。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster