反基督者 Antichrist

? 5.6 播放:04萬(wàn) 2026-04-25

在充滿狂亂且略帶憂傷的夜晚,一對(duì)夫婦痛失可愛(ài)的幼子尼克。這件事給他們以莫大的打擊,也讓這段原本便矛盾暗生的婚姻走向崩潰邊緣。妻子(夏洛特•甘斯布 Charlotte Gainsbourg 飾)久久沉浸悲痛中無(wú)法自拔,身為心理咨詢師丈夫(威廉•達(dá)福 Willem Dafoe 飾)一方面希望彌合破裂的婚姻,另一方面試圖通過(guò)心理疏導(dǎo)讓妻子忘記過(guò)去。最終,他們決定前往位于伊登(Eden)森林的小木屋中緩釋心情。此前一年,女人曾帶著尼克在此撰寫(xiě)一篇關(guān)于基督和反女性的論文,過(guò)往的回憶讓重蹈此地的她緊張慌亂。心理治療在焦灼煩躁的情緒中進(jìn)行,夫妻倆沒(méi)有找到渴望已久的光明,反而墮入更加無(wú)邊的黑暗之中…… 本片榮獲2009年戛納電影節(jié)最佳女主角獎(jiǎng)(Charlotte Gainsbourg)。

在線觀看

? 播放 反基督者 Antichrist

劇情提要

在充滿狂亂且略帶憂傷的夜晚,一對(duì)夫婦痛失可愛(ài)的幼子尼克。這件事給他們以莫大的打擊,也讓這段原本便矛盾暗生的婚姻走向崩潰邊緣。妻子(夏洛特•甘斯布 Charlotte Gainsbourg 飾)久久沉浸悲痛中無(wú)法自拔,身為心理咨詢師丈夫(威廉•達(dá)福 Willem Dafoe 飾)一方面希望彌合破裂的婚姻,另一方面試圖通過(guò)心理疏導(dǎo)讓妻子忘記過(guò)去。最終,他們決定前往位于伊登(Eden)森林的小木屋中緩釋心情。此前一年,女人曾帶著尼克在此撰寫(xiě)一篇關(guān)于基督和反女性的論文,過(guò)往的回憶讓重蹈此地的她緊張慌亂。心理治療在焦灼煩躁的情緒中進(jìn)行,夫妻倆沒(méi)有找到渴望已久的光明,反而墮入更加無(wú)邊的黑暗之中…… 本片榮獲2009年戛納電影節(jié)最佳女主角獎(jiǎng)(Charlotte Gainsbourg)。

幕后花絮

樂(lè)開(kāi)懷

  克萊爾(米歇爾·菲佛 飾)組織了一次特別的圣誕郊游活動(dòng),而她的家人卻在忙碌中將她遺忘。當(dāng)他們意識(shí)到錯(cuò)誤時(shí),她已經(jīng)失蹤了。他們的圣誕節(jié)岌岌可危,但克萊爾另有打算。

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.