百日剎那
而不是弗拉德的吸血鬼,使得到幫助一個(gè)生命的惡魔,把一個(gè)女孩的照顧。她的名字剎那。女人做魔鬼。并能夠愛弗拉德是吸血鬼的女人成熟的如果你不這樣做性百天。但弗拉德和婦女,將死,打破這一承諾。弗拉德決定照顧剎那的勉強(qiáng)。白天弗拉德在睡覺,剎那眼睛的各種事情四處覓食的城市。這是一個(gè)時(shí)刻,什么都不知道,但是我們學(xué)到一點(diǎn)一點(diǎn)生活的重要性。結(jié)識(shí)了年輕的牧師,我會(huì)增加的感覺走的人仍然在城市教會(huì)的照顧。弗拉德記住刺激剎那的感覺正逐漸傾斜到年輕的牧師。弗拉德你親眼目睹那里的牧師的那一刻,并簽署一個(gè)擁抱,一個(gè)牧師扼殺一個(gè)微笑和狂熱。剎那給我悲觀。我開始苦惱自己的情況必須生活作為人類的食物。后來有一天,那剎那轉(zhuǎn)世成為一個(gè)吸血鬼一天99,一天過去了,剎那傳達(dá)祝愿在...弗拉德。
即刻觀影
劇情賞析
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圍困2
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好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
兇兆前傳
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