竹夫人
瓷器店老板白發(fā)皓首,妻子卻如花似玉,青春當(dāng)年。老板終日殫精竭慮,早已不復(fù)當(dāng)年威武,故而床第之間有心無(wú)力,常常敷衍了事。女子正值如狼似虎的年紀(jì),焦躁之間難免與他人暗度陳倉(cāng)。隔壁鐵匠耽戀瓷器店老板娘之容貌,幾番試探,一拍即合。常常趁夜深人靜之時(shí)鉆入隔壁臥室,在熟睡的瓷器店老板身旁公然大行云雨。正所謂紙包…
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尋愛(ài)之旅
麥克·辛,馬克·阿蒂,吉姆·卡特,馬克·斯特朗熱愛(ài)射飛鏢的柯林看店為業(yè),為了贏回紅杏出牆的妻子芳心,他跳脫常軌,離開(kāi)熟悉的故鄉(xiāng),橫越全國(guó)。當(dāng)他經(jīng)過(guò)美麗的高山地區(qū),來(lái)到碎石嶙嶙的黑池時(shí),連著遇到一些人和事,改變了他的新生活。是一部好笑又非常人性的影片。
幼獸
Evelien Bosmans,Stef Aerts,提圖斯·德·沃格特,Maurice Luijten由克里斯(Titus De Voogdt 飾)和皮特(Stef Aerts 飾)帶隊(duì)并由數(shù)名十幾歲的男孩組成的童子軍即將前往靠近法國(guó)邊境的某座森林里露營(yíng),出發(fā)前他向孩子們講述了一個(gè)可怕的傳說(shuō),據(jù)說(shuō)森林里有一種被稱為“凱”的半人半獸怪物肆虐橫行,當(dāng)?shù)厝寺勶L(fēng)喪膽。它的模樣如同人狼,凡是被它咬過(guò)的人都會(huì)受到感染變成人狼。孩子們?nèi)呵榧ぐ?,決心痛揍人狼,隨后跟隨克里斯坐上卡車(chē)出發(fā)。陽(yáng)光明媚的時(shí)節(jié),孩子們?cè)诼稜I(yíng)地快樂(lè)玩耍,不過(guò)并不受眾人待見(jiàn)的小男孩薩姆(Maurice Luijten 飾)似乎格外在意“凱”的存在,他在挖洞時(shí)聲稱一度看到“凱”的身影,隨后更在營(yíng)地附近發(fā)現(xiàn)一處神秘的巢穴?! ∫鼓唤蹬R,可怕的身影悄悄向營(yíng)地接近,薩姆的命運(yùn)發(fā)生徹底改變……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
赤腳大仙
彭禺厶,許媛媛,林昊然
求藥
何一諾,劉平,李思韻,孛璽宇,胡軼凡,孫梓屹,徐丹,王成,馮丹影片講述父親張釋全因過(guò)失導(dǎo)致女兒身亡后誤入邪教,試圖通過(guò)求取神藥救治重病兒子,在目睹妻子遭受邪教迫害后幡然醒悟,最終聯(lián)合妻子揭露邪教并將其繩之以法,使兒子獲得正規(guī)醫(yī)療救治的故事。
末世廚房
凱恩·羅賓森,小霍普·伊克波庫(kù),亨利·勞福,魯本·奈雅馬,后路咭,克里斯塔爾,阿倫·阿薩德,拉薩克·庫(kù)科伊,埃華特·詹姆斯·沃爾特斯,萊斯利-安妮·米勒,戴米·拉迪波,杰戴亞·班納曼,菲奧娜·馬爾,伊恩·賴特,阿拉貝拉·麥克穆雷,布萊德利·WJ·米勒,泰賈·卡布斯,雷娜·查基爾,泰亞爾尼·費(fèi)倫-斯賓塞,奧利維婭-羅絲·科利亞德伊茲很快就可以逃脫倫敦僅存的住宅小區(qū)“廚房”。但小班吉走進(jìn)他的生活后他需要做出一些艱難的決定。