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雛菊1966
雅羅斯拉夫·庫(kù)切拉,伊萬(wàn)娜·卡爾班諾娃,埃斯特爾·克倫巴赫喬娃,伊特卡·采爾霍娃,Marie Cesková,Jirina Myskova,Marcela Brezinová,Julius Albert,Oldrich Hora,Jan Klusák,Václav Chochola,Josef Konícek,Jaromír Vomácka,Miroslava Babúrková,J. Bartos,Oldrich Basus,Jirina Cesková外星+人
柳俊烈,金宇彬,金泰梨,蘇志燮,廉晶雅,趙祐鎮(zhèn),金義城,李荷妮,申正根,李時(shí)勛尼諾
西奧多·佩爾蘭,威廉·勒布吉?dú)W,莎樂(lè)美·德瓦斯,讓娜·巴利巴爾,卡米莉·拉瑟福德,埃斯特爾·梅耶爾,維克圖瓦爾·杜布瓦,馬修·阿馬立克,Pascale Oudot,Ma?l Besnard,Elodie Roy,Amaury Arboun,利森·丹尼爾,Charlotte Lainé,Balthazar Billaud,艾爾莎·布尚,Quentin Gouget,Alexandre Desrousseaux,Mounir Belhidaoui,Lola Felouzis阿凡達(dá):火與燼
薩姆·沃辛頓,佐伊·索爾達(dá)娜,西格妮·韋弗,史蒂芬·朗,奧娜·卓別林,大衛(wèi)·休里斯,凱特·溫斯萊特,貝利·巴斯,吉奧瓦尼·瑞比西,杰梅奈·克萊門特,杰米·福雷特斯,埃迪·法可,克利夫·柯蒂斯,喬·大衛(wèi)·摩爾 ,杰克·尚皮永,馬特·杰拉德,科斯頓·約翰,菲利普·蓋廖,布里坦·道爾頓,特里尼蒂·布利斯,小杜安·埃文斯老周夜驚情
王曉禹,麥霽雯,紀(jì)仁君,陳最,張洪銳,徐波,伊哲,阮妹陛,和善環(huán)法
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巫咒
王楠楠,田詩(shī)雨,張瀚文,劉宇鋒,姜景中,王傾,關(guān)鵬,劉頔,郭子恒,宋卓然影片講述了萬(wàn)香山腳有個(gè)黑頂子村,村里住著謝家三兄弟。某年冬天特別寒冷,謝老二違背了祖訓(xùn),偷偷進(jìn)山采參,誰(shuí)知回來(lái)后就神秘死去。村中人都認(rèn)為謝老二是因?yàn)檫@是觸怒了山神,“山神降下了詛咒”才離奇死亡??
神明2025
金圭麗,安閔尚尹智姬(金圭麗飾)從小自焚開(kāi)始癡迷于巫術(shù)。在認(rèn)識(shí)到可以利用男人得到想要的東西的事實(shí)之后,她開(kāi)始通過(guò)整容改變長(zhǎng)相,甚至偽造姓名、學(xué)歷、身份,過(guò)著完全不同的生活。在這種情況下,嘗到權(quán)力滋味的尹智姬終于陷入了要將大韓民國(guó)掌握在自己手中的野心之中,PD鄭賢洙(安內(nèi)相)和報(bào)道記者們?cè)谧粉櫻杆佘S升為大選候選人的檢察官出身的政治人物金碩一和她的過(guò)程中,對(duì)兩人之間可疑的連接環(huán)節(jié)產(chǎn)生了強(qiáng)烈的疑惑,但越是接近可怕的真相就越是危險(xiǎn)。。。。。。
梵蒂岡錄像帶
杰曼·翰蘇,凱瑟琳·羅伯特森,邁克爾·佩納,多格雷·斯科特,邁克爾·帕爾,約翰·帕特里克·阿梅多利,丹尼爾·伯哈特,奧利維亞·泰勒·達(dá)德利,彼得·安德森,卡斯·安瓦爾,布魯諾·岡恩,肯特·紹克內(nèi)克,梅爾·法爾,Noemi Gonzalez,泰米娜·森尼安吉拉是27歲的普通女孩,生活平淡無(wú)奇。有天,她意外發(fā)現(xiàn)與自己親近的人都死于非命。梵蒂岡教徒得知此事后,對(duì)安吉拉展開(kāi)了一系列調(diào)查。可這次調(diào)查卻引出了安吉拉背后古老的邪惡力量……
誤入魔爪
Jordyn Rudolph,Brad Bell,Ryan Rudolph四名青少年在一次公路旅行中決定繞道而行,發(fā)現(xiàn)自己在肯塔基南部森林深處的鬼屋“萬(wàn)圣節(jié)尖叫公園”。在目睹了各種各樣的折磨和gore之后,他們開(kāi)始懷疑自己經(jīng)歷的事情是否有點(diǎn)太現(xiàn)實(shí)了。在他們知道之前,他們中的每一個(gè)人都被俘虜了,并成為他們?cè)菊J(rèn)為可怕的樂(lè)趣和游戲的一部分…
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster