在線播放
劇情簡介
年輕的南方淑女下去性奧德賽后失去她的童貞的園丁。
同類好片
絕命孤城
施駿喆,婁宇瑤,徐永革,趙曉明,馮可總統(tǒng)拍檔
杰克·萊蒙,詹姆斯·加納,丹·艾克羅伊德蒙上你的眼:逃出巴塞羅那
喬治娜·坎貝爾,馬里奧·卡薩斯,迭戈·卡爾瓦,米歇爾·珍娜,萊昂納多·斯巴拉格利亞,洛拉·杜埃尼亞斯,帕特里克·克里亞多,Alejandra Howard,西莉亞·費杰羅,Naila Schuberth,岡扎洛·德·卡斯特,Manel Llunell,米洛·塔波阿達,Brian Lehane,Gerard Oms科洛弗悖論
古古·姆巴塔-勞,大衛(wèi)·奧伊羅,丹尼爾·布魯赫,約翰·奧提茲,克里斯·奧多德,阿卡塞爾·亨涅,章子怡,伊麗莎白·德比茨基,羅杰·戴維斯,唐納爾·羅格,蘇珊·克萊爾,肯·奧林,西蒙·佩吉,格雷戈·格倫伯格我們的天空,我們的河
Mahmoud Abu Abbas,Myriam Abbas,達麗娜·阿爾·喬迪,Sami Al-Ali,Labwa Arab,Basim Hajar,Amed Hashimi,Muslem Hassoun,扎伊納布·約達,Ali Kareem,Zaydun Khalaf,Kholod Mohamad,Suzan Muneam,Siham Mustafa,Badia Obaid,Kamaran Raoof,Karam Thamir伊沃克人:為恩多而戰(zhàn)
Wilford Brimley,Aubree Miller,Sian Phillips導(dǎo)演精選
不信地獄
在首爾求學(xué)的女大學(xué)生康喜真(南相美 飾)每日奔波勞碌,疲憊不堪。這日她接到母親的電話,竟得知妹妹邵真(沈恩京 飾)失蹤,下落不明。她匆匆趕回老家,然而母親執(zhí)迷不悟,以為只靠虔誠的祈禱邵真就能返回家中。面對母親的麻木,喜真只得報警,但警官泰煥(柳承龍 飾)只將其當作一般的離家出走處理。 不久,一個女子在喜真家的窗前吊頸并墜樓而死。泰煥從死者房間找到一封遺書,其中甚至提到邵真的名字。泰煥無法從喜真母親那里得到任何線索,只得從小區(qū)管理員那里探知線索。卻得知邵真竟一曾被鬼附身,整個案件開始朝著詭異的方向發(fā)展……
鱷魚萊萊
影片改編自風靡全球的同名繪本系列,肖恩·蒙德茲獻聲演唱鱷魚萊萊。 故事講述了小男孩喬什·普利姆跟隨父母舉家搬進大城市的新居,和一只住在閣樓上、能舞會唱的鱷魚成為好朋友的奇遇故事。自帶歡樂屬性的鱷魚萊萊治愈了難以適應(yīng)新環(huán)境的喬什,喬什也努力消除父母對萊萊的偏見。兩小只開啟前所未有的都市歷險,歷經(jīng)重重歡樂鬧劇,萊萊與普利姆一家最終成為了彼此的家人與伙伴。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster