紅杏初戀
Charles暫無(wú)內(nèi)容is暫無(wú)內(nèi)容wealthy,暫無(wú)內(nèi)容a暫無(wú)內(nèi)容French暫無(wú)內(nèi)容venture暫無(wú)內(nèi)容capitalist暫無(wú)內(nèi)容in暫無(wú)內(nèi)容the暫無(wú)內(nèi)容1830s;暫無(wú)內(nèi)容he's暫無(wú)內(nèi)容also暫無(wú)內(nèi)容an暫無(wú)內(nèi)容aristocratic暫無(wú)內(nèi)容assassin,暫無(wú)內(nèi)容prompting暫無(wú)內(nèi)容duels暫無(wú)內(nèi)容for暫無(wú)內(nèi)容political,暫無(wú)內(nèi)容monetary,暫無(wú)內(nèi)容and暫無(wú)內(nèi)容sexual暫無(wú)內(nèi)容gain.暫無(wú)內(nèi)容At暫無(wú)內(nèi)容his暫無(wú)內(nèi)容aunt's,暫無(wú)內(nèi)容he暫無(wú)內(nèi)容meets暫無(wú)內(nèi)容Madame暫無(wú)內(nèi)容Mathilde暫無(wú)內(nèi)容LeRoi,暫無(wú)內(nèi)容a暫無(wú)內(nèi)容virtuous暫無(wú)內(nèi)容and暫無(wú)內(nèi)容beautiful暫無(wú)內(nèi)容woman,暫無(wú)內(nèi)容and暫無(wú)內(nèi)容he暫無(wú)內(nèi)容determines暫無(wú)內(nèi)容to暫無(wú)內(nèi)容seduce暫無(wú)內(nèi)容her.暫無(wú)內(nèi)容Along暫無(wú)內(nèi)容the暫無(wú)內(nèi)容way,暫無(wú)內(nèi)容his暫無(wú)內(nèi)容lust暫無(wú)內(nèi)容and暫無(wú)內(nèi)容game暫無(wú)內(nèi)容playing暫無(wú)內(nèi)容give暫無(wú)內(nèi)容way暫無(wú)內(nèi)容to暫無(wú)內(nèi)容love.暫無(wú)內(nèi)容One暫無(wú)內(nèi)容of暫無(wú)內(nèi)容his暫無(wú)內(nèi)容partners暫無(wú)內(nèi)容in暫無(wú)內(nèi)容crime暫無(wú)內(nèi)容and暫無(wú)內(nèi)容seduction,暫無(wú)內(nèi)容a暫無(wú)內(nèi)容decaden...
即刻觀影
劇情賞析
編輯推薦
納粹僵尸
Matthew Baunsgard,達(dá)米安·羅扎內(nèi)克,Ellis J. Wells,Richard Kovacs,Zach DevereuxA special team of allied forces are sent to infiltrate a Nazi occupied bunker. When they arrive, they discover the scientific experiments that have been taking place there have turned everyone into super human, flesh eating zombies.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
火山下
威廉·萊維,瑪吉.斯班多斯,阿德里亞娜·托雷維哈諾,法比奧拉·瓜哈爾多,伊利婭·蓋爾拉,Pino Montesdeoca,Antón LoferA cataclysmic event serves as the backdrop for a passionate affair between two individuals torn between desire and the constraints of their circumstances.
破壞欲
琳娜·海蒂,理查德·詹金斯,米歇爾·鄧肯,烏爾里奇·湯姆森,梅爾維爾·珀波,阿斯?fàn)枴ぜ~曼在父親的生日宴會(huì)上，一面鏡子的突然碎裂讓吉娜（琳娜·海蒂 Lena Headey 飾）和眾人感到了深深的不安。第二天，吉娜來(lái)到工作的醫(yī)院，卻被告知就在不久之前自己剛剛離開(kāi)了醫(yī)院。對(duì)于這一異象，吉娜只以為是同事眼花，但之后發(fā)生的事情卻讓她再也無(wú)法保持平靜——無(wú)論是大街上正在行駛的紅色越野車，還是車中所坐的女子，皆和吉娜完全相同?！ o(wú)法控制自己好奇心的吉娜尾隨女子來(lái)到了一幢公寓，過(guò)后，吉娜遭遇了慘烈的車禍。為了療傷，吉娜開(kāi)始和男友斯蒂芬（梅爾維爾·珀波 Melvil Poupaud 飾）同居，她將她的所見(jiàn)所聞告知了男友，后者卻認(rèn)為她不過(guò)是腦部受到了創(chuàng)傷，吉娜陷入了無(wú)盡的恐懼和懷疑之中。
午夜微博
鄧紫衣,唐禹哲,杜娟,劉羽琦,洪一平,劉鵬夜深人靜，荒郊野嶺。幾名青年男女去永寧縣某廢棄工廠探險(xiǎn)，并全程微博直播。他們?yōu)樽约旱臒o(wú)知和膽大妄為付出巨大代價(jià)，最終一死一瘋，另外兩人昏迷不醒，還有一人下落不明。美麗女記者蕭薇（鄧紫衣 飾）的妹妹霈霈及其朋友子妍正是這場(chǎng)意外的受害者，從醫(yī)生口中得知，妹妹她們出事前一定受到常人難以想象的驚嚇。蕭薇的搭檔阿康（唐禹哲 飾）調(diào)查后發(fā)現(xiàn)，霈霈她們前幾日都曾被某神秘微博帳戶@，之后在她們微博中便各自出現(xiàn)一個(gè)倒計(jì)時(shí)的畫面，而業(yè)已歸零的正是當(dāng)前的死者子妍?！ 〗^不相信鬼神傳說(shuō)的蕭薇，決定親自涉足永寧工廠一探究竟。伴隨蕭薇和阿康的追查，恐怖真相慢慢浮出水面……
競(jìng)時(shí)出擊
王韜,魏小歡,江佳桐,李江瑤刑警沈佳明、吳艷和康業(yè)在破獲一宗跨國(guó)重案后，卷入一系列離奇命案。首名死者孫成剛車禍身亡疑點(diǎn)重重，隨后女子孔思思也遭遇不測(cè)。警方發(fā)現(xiàn)兩名受害者均與醫(yī)院器官捐獻(xiàn)系統(tǒng)存在關(guān)聯(lián)，而醫(yī)院器官捐獻(xiàn)協(xié)調(diào)員糜芳、醫(yī)生馬玉茹以及等待器官移植的羅永軍兄妹皆被卷入漩渦。就在刑警們分頭追兇時(shí)，第三名潛在受害者已危在旦夕。吳艷與時(shí)間賽跑，阻止了一場(chǎng)高空謀殺，卻發(fā)現(xiàn)真兇竟藏于最意想不到的身邊。