劇情縱覽
不久前因父親不幸事故去世的相宇帶著妻子惠蘭因擔(dān)心和弟弟而搬回家住，卻不料弟弟被惠蘭深深迷住了，無法自拔，再加上惠蘭最近與相宇的性愛并不令人滿意，有一天，弟弟在和女友智恩做愛時(shí)，他竟然叫錯(cuò)了名字把女友當(dāng)成了嫂子惠蘭，智恩一氣之下分手，絕望的弟弟回家后只能靠在春夢(mèng)中與嫂子做愛，然而不久，他開始將夢(mèng)慢慢變成了現(xiàn)實(shí)
兄弟的女人
主演：
未知
不久前因父親不幸事故去世的相宇帶著妻子惠蘭因擔(dān)心和弟弟而搬回家住，卻不料弟弟被惠蘭深深迷住了，無法自拔，再加上惠蘭最近與相宇的性愛并不令人滿意，有一天，弟弟在和女友智恩做愛時(shí)，他竟然叫錯(cuò)了名字把女友當(dāng)成了嫂子惠蘭，智恩一氣之下分手，絕望的弟弟回家后只能靠在春夢(mèng)中與嫂子做愛，然而不久，他開始將夢(mèng)慢慢變成了現(xiàn)實(shí)
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臻選佳作
圣誕奇遇結(jié)良緣
林子祥,岑建勛,張曼玉,午馬,秦沛,廖啟智,徐錦江
故事梗概 本片為香港德寶電影公司的創(chuàng)業(yè)巨制之一，由杰出的攝影指導(dǎo)鐘志文升任導(dǎo)演，是一部熱鬧的浪漫冒險(xiǎn)喜劇。內(nèi)容描述一名地下軍火專家制造了一個(gè)小型炸彈企圖有所不軌，計(jì)劃被助手知悉，以致他殺人滅口，但卻被三名互不認(rèn)識(shí)的平凡寂寞人目睹此事件。兩名瘋狂殺手奉命追殺三名目擊者，他們乃展開逃亡，過程中發(fā)揮同舟共濟(jì)的精神來化解危機(jī)。全片是典型以追殺為主戲的娛樂片，但不強(qiáng)調(diào)暴力動(dòng)作，反而有不少驚險(xiǎn)笑料。三個(gè)主角的個(gè)性也純真好玩，將都市寂寞人偶然碰到刺激遭遇時(shí)的反應(yīng)生動(dòng)地表現(xiàn)了出來。
鬼影2025
Vino G. Bastian,Anya Geraldine,尼肯·安賈尼,唐尼·阿蘭西亞,安德里·馬沙迪,Rangga Nattra,Nugie,魯克曼·羅薩迪,Dewi Gita,Michelle Tahalea,Agus Mahesa,Iyang Darmawan,Angie Ang,Bayu T.,Megarita,Rinni Ruyono,Gabriella Cecilia,Widyawati,Dian Nova,Nesia Nuari
達(dá)爾文是一名攝影師，他發(fā)現(xiàn)有個(gè)神秘女人總出現(xiàn)在自己的照片中。當(dāng)這個(gè)幽靈般的身影開始在現(xiàn)實(shí)生活中顯現(xiàn)時(shí)，他的女友皮亞開始調(diào)查這個(gè)鬼魂的身份，最終發(fā)現(xiàn)它與一名名叫莉莉斯的前大學(xué)學(xué)生有關(guān)。當(dāng)達(dá)爾文的朋友們開始陸續(xù)死亡時(shí)，皮亞懷疑這些鬼魂事件與達(dá)爾文的過去惡行有關(guān)。
阿爾瑪與狼
伊?！ざ鞑祭?李麗君,馬瑟·澤科爾,Alexandra Doke,杰雷米·哈里斯,Beth Malone,達(dá)娜·米利肯,Kevin Allison,Lukas Jann
以俄勒岡州海岸為背景，陷入困境的警官倫·阿科德調(diào)查一起神秘的狼襲擊事件。當(dāng)他關(guān)系疏遠(yuǎn)的兒子在案件中失蹤時(shí)，事情嚴(yán)重起來。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster