失蹤：消失的妻子

★ 9.8 播放：21萬 更新：2026-04-24

是鄭糠云主演的一部懸疑驚悚情色電影，講述了妻子失蹤后，丈夫報案，但隨著調(diào)查的深入，事件越發(fā)的撲朔迷離，變得誰都有嫌疑的故事。由于里頭有一些青少年不宜觀看的鏡頭而被定格為19禁，但懸疑劇發(fā)燒友應(yīng)該會稀飯的哦。。

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劇情簡介

是鄭糠云主演的一部懸疑驚悚情色電影，講述了妻子失蹤后，丈夫報案，但隨著調(diào)查的深入，事件越發(fā)的撲朔迷離，變得誰都有嫌疑的故事。由于里頭有一些青少年不宜觀看的鏡頭而被定格為19禁，但懸疑劇發(fā)燒友應(yīng)該會稀飯的哦。。

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詛咒項鏈

　　Family navigates turbulent 1960s dynamics. Mom separates from alcoholic husband. Daughters grapple with changes. Dad's antique gift hides dark force that imperils all.

猶大與黑彌賽亞

 影片改編自真人真事。講述了1960年代美國黑人社團(tuán)黑豹黨歷史上的真實(shí)事件，故事聚焦于Hampton之死，他于1969年被殺，死于芝加哥警察局和FBI組織的一次突襲行動。警方開了80槍，而“黑豹黨”成員一共只開了一槍，這一槍還是來自于一位成員被警方打死后的肌肉收縮。Hampton與懷孕的未婚妻正在睡覺時，頭部被近距離射殺2槍，他當(dāng)晚被下了藥，根本沒聽見任何警方的動靜，死后尸體被拖進(jìn)小巷中，年僅21歲。經(jīng)過審訊，他的死被判定為“正當(dāng)殺人”，后來在1982年，以185萬美元的賠償數(shù)額，達(dá)到了民事訴訟的庭外和解。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.