17歲少女的愛(ài)欲日記
17歲的意大利少女梅麗莎（Mar iacute;a Valverde 飾）與母親和祖母的住在一起，她的生活平淡甚至有些枯燥，每天這個(gè)天真純潔的女孩都在渴望一段浪漫的愛(ài)情。某天，梅麗莎和好友參加同學(xué)所組織的派對(duì)，她邂逅了英俊帥氣的男孩丹尼爾（Primo Reggiani 飾）。只是愛(ài)情之花并未如期盛開(kāi)，梅麗莎遭遇了一次帶有羞辱性質(zhì)的性經(jīng)歷，她卻從此迷上了這個(gè)玩世不恭的男孩。在接下來(lái)的日子里，梅麗莎可以引起丹尼爾的注意，而丹尼爾則對(duì)她進(jìn)行各種各樣的羞辱。在明白丹尼爾的心意之后，梅麗莎通過(guò)放縱來(lái)進(jìn)行報(bào)復(fù)，她甚至將每段性經(jīng)歷都寫(xiě)入日記 本片根據(jù)曾轟動(dòng)歐洲的真實(shí)的少女日記《床前100次梳理亂發(fā)》改編。
即刻觀影
劇情賞析
編輯推薦
村民總動(dòng)員
阿圖爾·巴奇斯,Angelika Cegielska-Swiatek,菲利普·古拉克斯,Mateusz Janicki,Piotr Pregowski,Anna Seniuk,安娜·希曼奇克,喬安娜·特茲佩西絲卡,Cezary Zak,維克多·茲波羅夫斯基哈莉娜因?yàn)榻?jīng)濟(jì)困難被迫取消了婚禮，于是她的親友們決心制定一個(gè)瘋狂的計(jì)劃來(lái)吸引游客，增加收入。
送葬人
道格拉斯·史密斯,盧錫安·拉維斯科特,克雷西達(dá)·博納斯,道格·瓊斯,邁克爾·特魯科,珍娜·凱內(nèi)爾,埃麗卡·特倫布萊,瑪麗莎·埃切維里亞,克利奧·金,費(fèi)·唐納薇,凱瑞-安·莫斯,雷·沃納爾,凱琳·伍黛爾,拉臘·諾克斯,喬納森·潘內(nèi)爾,尼古拉斯·薩德勒,瑪莎·哈克特,庫(kù)爾特·岳本片改編自Jonathan Penner小說(shuō)《The Bridge To Body Island》。講述的是三個(gè)大學(xué)生，特雷弗·梅西,杰弗里·索羅斯和西蒙·赫斯曼在校外無(wú)意間釋放出一種超自然實(shí)體的故事，凱瑞·安-莫斯、費(fèi)·唐娜薇等影星傾力加盟。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
偉大的覺(jué)醒
John Paul Sneed,喬納森·布萊爾,Josh Bates,Joe Dignoti,Stephen Foster HarrisExploring the friendship between renowned preacher George Whitefield and Benjamin Franklin, and Whitefield's impact during the pivotal Great Awakening religious movement.
功夫機(jī)器俠之南拳
陳虎,王智《功夫機(jī)器俠》將中國(guó)功夫和科幻機(jī)械完美結(jié)合，加上好萊塢最強(qiáng)動(dòng)作團(tuán)隊(duì)的打造，王智將大展身手，與好萊塢動(dòng)作演員陳虎同框pk實(shí)力對(duì)撞。
阿特羅皮亞
阿莉雅·肖卡特,克洛伊·伊斯特,查寧·塔圖姆,科洛·塞維尼,簡(jiǎn)·利維,卡勒姆·特納,蒂姆·海德克,吉爾·佩雷斯-亞伯拉罕,索爾·洛佩斯,托比·尼克爾斯,托尼·肖卡特,普莉希拉加里塔,吉爾伯托·奧爾蒂斯,Dash Melrose,沙霍莉·艾爾斯,理查德·布萊克蒙,阿里烏斯·巴恩斯,扎赫拉·阿爾祖拜迪,菲爾·伯格斯,肖恩·崔講述了一位有抱負(fù)的女演員在模擬伊拉克戰(zhàn)區(qū)的美國(guó)軍事訓(xùn)練基地工作的故事。