影片推薦
15點(diǎn)17分,啟程巴黎
斯賓塞·斯通,安東尼·薩德勒,亞歷克·斯卡拉托斯,朱迪·格雷爾,珍娜·費(fèi)舍,賈里爾·懷特,托馬斯·列農(nóng),托尼·海爾,P·J·伯恩,布萊斯·吉扎爾,斯蒂芬·考特爾,羅伯特·普拉爾戈,加里·維克斯戰(zhàn)斧骨
帕特里克·威爾森,庫(kù)爾特·拉塞爾,莉莉·西蒙斯,肖恩·楊,扎恩·邁克拉農(nóng),馬修·??怂?大衛(wèi)·阿奎特,凱瑟琳·莫里斯,希德·黑格,理查德·詹金斯,邁克爾·帕爾,杰米·埃克托,詹姆斯·托根他人即地獄(日影)
八村倫太郎,柳俊太郎,岡田結(jié)實(shí),三浦健人,青木さやか,大倉(cāng)空人,萩原圣人,鈴木武,星耕介,濱津隆之,日比美思,松角洋平,大野泰廣謀殺穆巴拉克
潘卡·特里帕蒂,迪寶·卡帕蒂婭,維杰·維瑪,卡瑞詩(shī)瑪·卡普爾,薩拉·阿里·汗,蒂絲卡·喬普拉,庫(kù)納爾·赫姆,桑杰·卡普爾,Tara-Alisha Berry,Kiara Sadh,Hardika Sharma,Alok Panwar,Neeraj Saidawat,Ashok Chhabra,Amaara Sangam黑域封鎖
特瓦納·巴尼特,邁克·弗格森,LeeAnne Bauer限時(shí)營(yíng)救2025
凱特·貝金賽爾,劉易斯·陳,艾麗絲·克里奇,湯姆·班尼特,貝利·帕特里克,拉斯穆斯·哈迪克,馬特·威利斯,Roxy Striar同類(lèi)精選
星辰之怒
杰克·麥克維,安德里亞·提瓦塔,Elijah Rowen,奧塔爾·薩拉利茲,Weronika Lesiak,Jord Knotter,Malgorzata Klara,Mayu Gralinska-Sakai,Sylwia Sokolowska,Monika Gieron女孩白日夢(mèng)
鄭筠熹,尤柏耘,鄭景文,古峰十月建造的房屋
Brandy Schaefer,Bobby Roe,Zack Andrews岳家小將
尋峰,魏巍,張安繼,劉衛(wèi)民,張希玲,黃駿,沈煒,崔月明,張恩宏,張成忠,孫花滿,張躍寧,王振田,蔣榮全,宋文華,宋萬(wàn)熙,胡文麗,江錫榮風(fēng)林火山
金城武,劉青云,梁家輝,古天樂(lè),高圓圓,杜德偉,鮑起靜,林俊賢,盧冠廷,姜珮瑤,衛(wèi)詩(shī)雅,甘國(guó)亮,盧海鵬,劉永,吳嘉龍,李元霸,任賢齊,夏韶聲,王德順,程?hào)|,狼森,尼克·福特兇兆前傳
尼爾·泰格·弗莉,托菲克·巴霍姆,索尼婭·布拉加,拉爾夫·伊內(nèi)森,比爾·奈伊,米婭·麥戈文·扎伊尼,安東·亞歷山大,安德烈·阿坎杰利,瑪麗亞·卡巴雷諾,阿萊西亞·博納奇,伊什塔爾·柯里-威爾遜,彼得·阿佩塞拉,西爾維婭·帕納喬內(nèi),馬里奧·歐普特,阿德里亞諾·阿拉貢,多納泰拉·巴托麗影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
富貴再逼人
沈殿霞,董驃在報(bào)館任職的驃叔(董驃 飾)因?yàn)楣ぷ鞯年P(guān)系帶著全家到加拿大工作。一家五口都全身心投入新環(huán)境新生活中,驃叔卻因得罪上司被解雇了。由于大女兒、二女兒(李麗珍 飾)已開(kāi)始了學(xué)業(yè),他唯有帶著妻子驃嬸(沈殿霞 飾)與最小的女兒回到香港繼續(xù)生活,生活卻比以前更艱難了。驃嬸無(wú)意中發(fā)現(xiàn)了一張加拿大的頭獎(jiǎng)彩票,獎(jiǎng)金是兩千萬(wàn)加幣。 由于不夠錢(qián)到加國(guó),驃叔硬著頭皮向舊上司借。同樣受到經(jīng)濟(jì)危機(jī)的上司設(shè)法要奪取驃叔的彩票。驃叔一家頑強(qiáng)對(duì)抗,保住了彩票,卻無(wú)法在領(lǐng)獎(jiǎng)時(shí)限截止前趕到。 一家人傷心流淚,悲傷之中發(fā)現(xiàn)時(shí)間上出現(xiàn)了時(shí)差,領(lǐng)獎(jiǎng)的時(shí)間還沒(méi)截止。
我的朋友安德烈
劉昊然,董子健,殷桃,韓昊霖,遲興楷,董寶石,寧理,雷佳音,章若楠,張宥浩,薛寶鶴性格迥異的李默(劉昊然 飾)與安德烈(董子健 飾)因?yàn)樽闱虺蔀橹海粓?chǎng)意外卻讓安德烈跟隨年少往事一起消失在了李默的記憶中。多年后,李默在為父親奔喪路上與安德烈“重逢”,一段塵封的回憶被逐漸揭開(kāi)…… 電影改編自雙雪濤的同名小說(shuō)《我的朋友安德烈》。
熊出沒(méi)·年年有熊
張秉君,張偉,譚笑熊大曾是森林里的“老大哥”,直到一個(gè)不速之客到來(lái),它將自己神力傳給了熊強(qiáng),熊大變成了三人組合內(nèi)能力最弱者。為了改變現(xiàn)狀,他步入了反派陷阱,引發(fā)了毀天滅地的危機(jī)......