維京家的花俏老處女
在意大利的一所家庭，一個(gè)大齡剩女所發(fā)生的一些有趣的事情，劇情中或出現(xiàn)一個(gè)美少年向往愛(ài)情的萌芽舉動(dòng) hellip; hellip;
在線看
同款熱播
校園鬼
韓藝璃,金花雨,申智秀,樸元尚,李鐘碩1）因和同學(xué)打賭賭輸，樸貞元、云貞等三個(gè)女孩被迫潛入傳說(shuō)中鬧鬼的廢棄校舍內(nèi)探險(xiǎn)。她們戰(zhàn)戰(zhàn)兢兢、心慌意亂，鬧出不少自己嚇自己的笑話。然而，女孩們的吵鬧驚動(dòng)了此前曾死在這里的一個(gè)女孩的怨靈，她似乎有意將這三個(gè)冒失的闖入者留在這里?！ ?）圓圓和齊齊是一對(duì)情同姐妹的好朋友，但是她們的友情正受到嚴(yán)峻的考驗(yàn)。她們同時(shí)喜歡上帥氣的學(xué)生會(huì)主席，也因成績(jī)優(yōu)秀將共同角逐校長(zhǎng)的推薦升學(xué)資格。一切朝著不可預(yù)測(cè)的方向發(fā)展?！ ?）高中男孩具有敏感體質(zhì)，他能看到周圍的鬼魂。他在教室中被一個(gè)少女的鬼魂纏上，女孩死于非命，而殺害她的兇手的鬼魂不久也尾隨前來(lái)……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
航越地平線
妮可·基德曼,山姆·尼爾,比利·贊恩海軍軍官約翰·英格拉姆（薩姆·尼爾 Sam Neill 飾）和妻子蕾（妮可·基德曼 Nicole Kidman 飾）原本擁有一個(gè)幸福的家庭，但一場(chǎng)災(zāi)難摧毀了一切。在前往車站接丈夫的途中，蕾駕駛的汽車與他車相撞，坐在后座的幼子丹尼（Joshua Tilden 飾）因而喪生，這令夫婦倆陷入巨大的悲痛之中。為了彌合心靈的傷痛，約翰帶著蕾乘游艇前往海上度假。某日，英格拉姆夫婦搭救了聲稱原本計(jì)劃?rùn)M渡太平洋卻遇難的男子休吉·瓦倫納（比利·贊恩 Billy Zane 飾）。本是善意之舉，卻無(wú)意中將夫婦帶入另一場(chǎng)災(zāi)難之中…… 本片榮獲1989年澳大利亞電影學(xué)院最佳攝影、最佳剪輯、最佳音效和最佳配樂(lè)四項(xiàng)大獎(jiǎng)。
卡薩諾瓦1976
唐納德·薩瑟蘭,蒂娜·奧蒙特,Cicely Browne,卡門(mén)·斯卡爾佩特,Clara Algranti,Daniela Gatti,瑪格瑞斯·克里蒙地,奧林匹婭·卡爾立斯,Silvana Fusacchia,切斯蒂·摩根,Leda Lojodice,Sandra Elaine Allen,Clarissa Mary Roll,丹尼爾·埃米爾?？?Luigi Zerbinati,Hans van de Hoek,杜德里·沙頓,約翰·卡爾森,雷吉·納爾德,芭芭拉·斯蒂爾,弗朗切斯科·德羅薩,Harold I意大利導(dǎo)演費(fèi)德里克．費(fèi)里尼的中期經(jīng)典作《八部半》是其成熟高峰期作品，此后開(kāi)始走向糜爛而至腐敗，偏于肉欲放縱和自我沉溺，像《費(fèi)里尼之薩蒂尼康》（六九年）和本片，都是糜爛頹廢的出色力作。本片反映了十八世紀(jì)基督道德不振后的上流腐化放縱，費(fèi)里尼盡情借題發(fā)揮，展現(xiàn)出精英文藝在人欲橫流下的腐爛情態(tài)。大情人卡薩諾華是在情場(chǎng)屢戰(zhàn)屢勝的“性斗士"，不斷獵艷，還參加造愛(ài)競(jìng)賽。但這大情人苦于人人只重他的性愛(ài)能力，不重視他經(jīng)世濟(jì)民治國(guó)的才學(xué)。而且女人們對(duì)他都“有性無(wú)愛(ài)"，當(dāng)他衰老得失去性魅力之后，就只能把一個(gè)機(jī)械女人當(dāng)作夢(mèng)中情人，很可悲可憐。
大明嬪妃之選秀
何杜娟,關(guān)慧卿,思漩,陳一諾,王春妹,朱一龍皇太子爭(zhēng)選太子妃，蘭心本有所愛(ài)，卻不得不進(jìn)到太子府，因?yàn)椴湃A出眾，深得皇太子和紀(jì)淑妃的喜愛(ài)，蘭心被嫉妒和排擠，在太子府里受盡磨難！ 其實(shí)一切陰謀都是秀女姚芊芊設(shè)計(jì)的，姚芊芊是萬(wàn)貴妃的人，自己參選秀女就是為了接近太子，協(xié)助萬(wàn)貴妃鏟除太子，雖然她心中也另有所愛(ài)，但不得不去爭(zhēng)選太子妃，鏟除一切阻礙自己當(dāng)上太子妃的秀女?！ ∫奋废莺μm心通奸，差點(diǎn)害的蘭心被賜死，關(guān)鍵時(shí)刻蘭心被梅兒所救。幾日后公布太子妃人選之時(shí)，紀(jì)淑妃為了顧全大局，還是讓姚芊芊當(dāng)上了太子妃，姚芊芊十分痛苦內(nèi)心掙扎，蘭心、梅兒、金碧瑤當(dāng)上側(cè)妃，大家各懷念想……。
弗蘭茨
伊丹·魏斯,彼得·庫(kù)爾特,耶諾夫法·波科娃,伊凡·特洛伊,Sandra Korzeniak,卡塔琳娜·斯塔克,塞巴斯蒂安·施瓦茨,亞倫·弗里斯,卡羅爾·舒勒,Gesa Shermuly,揚(yáng)·布達(dá)爾,約瑟夫·特洛伊,卡雷爾·多布雷,Daniel Dongres,René Hofschneider,米哈爾·伊斯特尼克,弗拉迪米爾·雅沃爾斯基,Václav Jirácek,Michal Kern,Stepán Klán阿格涅絲卡·霍蘭憑借這部迄今為止最具野心的作品達(dá)成了導(dǎo)演生涯的巔峰，她呈現(xiàn)了一部關(guān)于20世紀(jì)捷克標(biāo)志性作家弗朗茨·卡夫卡的傳記片。影片以萬(wàn)花筒般的拼貼手法構(gòu)建而成，追隨卡夫卡留下的足跡——從19世紀(jì)的布拉格出發(fā)，直至他在維也納辭世，時(shí)間跨度涵蓋第一次世界大戰(zhàn)及之后。《弗朗茨》一片將為觀眾提供一個(gè)獨(dú)特的視角，一窺這位文學(xué)巨匠背后的人生軌跡。