愛的軀殼

教皇行動

熾愛

　　烈火可以燒盡一切邪惡 但愛比烈火更為致命　　職場新秀克萊爾泳池偶遇美女伊芙，遂展開一段浪漫情緣，然而當(dāng)有一天她在其老板的派對上與伊芙再度重逢，卻發(fā)現(xiàn)對方的身份并非那么簡單。不久后她又被卷入了其老板的謀殺案之中，原來她早已身在局中.....

731

　　1945年抗戰(zhàn)勝利前夕，侵華日軍第七三一部隊在哈爾濱平房區(qū)以“給水防疫”為名，秘密進行慘無人道的細菌戰(zhàn)研究，大肆抓捕平民進行活體實驗，妄圖以此扭轉(zhuǎn)敗局。小販王永章（姜武 飾）等人被強行抓入“特設(shè)監(jiān)獄”，日軍以“配合健康檢查與防疫研究即可換取自由”的虛偽承諾，欺騙他們遭受凍傷實驗、毒氣實驗、活體解剖等極端折磨……　　影片通過平民視角揭露日軍反人類暴行，展現(xiàn)絕境下國人不屈的反抗精神，旨在讓世人銘記歷史，勿忘國恥，捍衛(wèi)和平。

牙仙

　　身形健碩的德里克·湯普森（巨石·強森 Dwayne Johnson 飾）是一個作風(fēng)粗暴的職業(yè)冰球手，由于經(jīng)常打掉別人的牙齒，因此他在場上得了“牙仙”的綽號。正所謂風(fēng)云變幻，時代更迭，隨著才俊新秀的涌現(xiàn)，德里克也漸漸成為一名過氣的板凳選手。狂放自負(fù)的他必定心情極度失落，故而經(jīng)常用冰冷的語言打碎別人的夢想?！　〉吕锟说呐芽ɡ颍ò怖颉べZ德 Ashley Judd 飾）有一雙可愛的兒女，小女兒剛好處在換牙期，對神秘的牙仙還充滿遐想。此時德里克的老毛病又犯了，一心希望向女孩講述牙仙并不存在的真相。他的粗暴做法惹來了麻煩，牙仙大陸的負(fù)責(zé)人莉莉（朱麗·安德魯斯 Julie Andrews 飾）將他變?yōu)橐粋€身長翅膀、手持魔杖、衣著短裙的牙仙女，在接下來的兩周里，他將被迫以這身裝扮為孩子們帶去祝福……

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster