性?shī)^按鍵

★ 4.6 播放：94萬(wàn) 更新：2026-04-23

影片根據(jù)意大利漫畫(huà)家米洛馬納拉Milo Manara（原名毛里利奧 馬納拉Maurilio Manara；1945年9月12日~）的色情漫畫(huà)《游戲》（Il Gioco；1983）改編的驚悚性喜劇 一位古怪的博士開(kāi)發(fā)出來(lái)一種可以隔開(kāi)一段距離用來(lái)觸發(fā)女人性興奮的裝置。漂亮但重度性冷淡的克勞迪婭 克里斯蒂亞尼Claudia Christiani（弗洛朗絲介朗飾）的律師丈夫?yàn)橐患抑率苟嗳艘暳κ軗p并應(yīng)對(duì)受害者負(fù)責(zé)的公司做辯護(hù)。受害者中有一位著名的科學(xué)家博拉萊維教授Boralevi，他的侄女安杰莉娜Angelina決定用這種裝置來(lái)報(bào)復(fù)克里斯蒂亞尼 

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影片根據(jù)意大利漫畫(huà)家米洛馬納拉Milo Manara（原名毛里利奧 馬納拉Maurilio Manara；1945年9月12日~）的色情漫畫(huà)《游戲》（Il Gioco；1983）改編的驚悚性喜劇 一位古怪的博士開(kāi)發(fā)出來(lái)一種可以隔開(kāi)一段距離用來(lái)觸發(fā)女人性興奮的裝置。漂亮但重度性冷淡的克勞迪婭 克里斯蒂亞尼Claudia Christiani（弗洛朗絲介朗飾）的律師丈夫?yàn)橐患抑率苟嗳艘暳κ軗p并應(yīng)對(duì)受害者負(fù)責(zé)的公司做辯護(hù)。受害者中有一位著名的科學(xué)家博拉萊維教授Boralevi，他的侄女安杰莉娜Angelina決定用這種裝置來(lái)報(bào)復(fù)克里斯蒂亞尼 

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

真事信不信

　　本片以主人公大衛(wèi)·布萊恩架車游歷美國(guó)得克薩斯州過(guò)程中所見(jiàn)所聞為主線，透過(guò)一個(gè)個(gè)具有鮮明個(gè)性的小人物及發(fā)生在他們身上的故事，展示了當(dāng)?shù)厝藢?duì)于生活和愛(ài)情的獨(dú)特理解。該片值得稱道的是將歌舞與寫(xiě)實(shí)完美結(jié)合，大量旋律優(yōu)美的鄉(xiāng)村民謠,歌曲成為片中最耀眼的亮點(diǎn)，也是導(dǎo)演大衛(wèi)·布萊恩對(duì)電影藝術(shù)的創(chuàng)新之舉，是一次成功的探索。

血觀音

 棠家一脈花開(kāi)，將軍身故，棠夫人站在家族宗法寶塔上，也就立足彌陀鄉(xiāng)政治的頂端。黑白兩道，茶盞交錯(cuò)之間，玲瓏心，剔透眼，柔軟身段，霹靂手段，女人天下。大女兒棠寧玲瓏八面，卻懷一股心思幽微，小女兒棠真乖巧聽(tīng)話，學(xué)著繼承泡茶待客之道，隨棠夫人簾后織手暗操線，青春初豐滿的羽翼，能如何擔(dān)起腥風(fēng)血雨？棠家牽線的土地開(kāi)發(fā)計(jì)劃出現(xiàn)變數(shù)，好友議員一家遭滅門慘案，以血掀變，彌陀鄉(xiāng)勢(shì)力重新洗牌，暗潮涌動(dòng)，臺(tái)北二十年，大家深宅三代女人，千手染血的觀音，骨與血，治與亂，情欲與權(quán)力層層密謀穿織。