播放通道
詳細(xì)簡(jiǎn)介
熱門(mén)影視 大家都在看
生活殘骸
柯林·奎恩,Devin Fabry,Carla Oudin,艾米·舒默,喬什·塞加拉,瑞恩·法瑞爾,Robert E. Torres,吉姆·佛羅倫丁,Robert Kelly,Dan Soder,約翰·塞納,戴夫·阿特爾,瓦妮莎·貝爾,蒂爾達(dá)·斯文頓,蘭道爾·樸,喬·格拉瑟,埃茲拉·米勒,布麗·拉爾森,邁克·比爾比利亞,諾曼·勞埃德,比爾·哈德?tīng)?勒布朗·詹姆斯,丹尼爾·雷德克里夫,瑪麗莎·托梅,戴夫·漢森,皮特·戴維森,吉姆·卡拉梅爾勒,馬索·曼恩,克勞迪婭·奧多爾蒂,凱文·凱恩,蒂姆·麥道斯,妮基·格戒靈
布偶秀50周年特別節(jié)目
塞斯·羅根,塞布麗娜·卡彭特,瑪婭·魯?shù)婪?馬特·沃格爾,大衛(wèi)·戈?duì)柶?邁克林·西提,比爾·巴雷塔,Peter Linz,史黛芬妮·迪亞布卓,埃里克·雅各布森,Elizabeth Stenmoen,泰勒·邦奇,David Rudman,Alice Dinnean,Bruce Lanoil,科琳·史密斯,James Murray,Haley Jenkins,Kevin Carlson,Artie Esposito一個(gè)叫小小船的男孩
J·K·西蒙斯,杰克·布塞,諾爾·古格雷米,盧·坦普爾,麗莎·德·拉佐,伯納德·庫(kù)里,Patricia Kalis,Jamille James,尼克·法內(nèi)爾,Julian Atocani Sanchez,Addam Bramich,Miranda Skerman,Keanu Wilson,Zeyah Pearson,杰西卡佩斯衛(wèi)兵的吶喊
米婭·麥肯納·布魯斯,馬特·狄龍,伊薩赫·德·班克爾黑蜥蜴1962
京町子,大木實(shí),川口浩,葉順子,三島雅夫,目黒幸子,中條靜夫,久里千春同類推薦
雨和閃電的氣息
麥卡·夢(mèng)露,瑪姬·格蕾斯,布拉德·卡特改編自著名推理作家南希.皮卡德於《紐約時(shí)報(bào)》的暢銷(xiāo)同名小說(shuō) 過(guò)往的父母雙屍命案,因?yàn)闅⑷藘词殖霆z而再度成為喬蒂的噩夢(mèng),她被迫再次審視那道往日的傷痕,並且身不由己地反覆被仇恨啃噬…而家族秘辛也隨著時(shí)間過(guò)去,重新露出面目,要讓所有人都付出代價(jià)…。
鄰居的窗
瑪麗亞·迪齊亞,格雷格·凱勒,Juliana Canfield短片講述了一個(gè)帶著三個(gè)孩子的母親,因?yàn)槿粘I詈驼煞蛳萑刖趩?。而這時(shí),她發(fā)現(xiàn)自己可以通過(guò)窗戶看到住在對(duì)面鄰居的生活...
秒速5厘米真人版
松村北斗,高畑充希,森七菜,青木柚,上田悠斗,白山乃愛(ài),木龍麻生,宮崎葵,吉岡秀隆,岡部敬史,中田青渚,田村健太郎,戶塚純貴,蓮見(jiàn)翔,又吉直樹(shù),堀內(nèi)敬子,佐藤緋美,白本彩奈改編自新海誠(chéng)創(chuàng)作的同名動(dòng)畫(huà)電影,講述了一段跨越時(shí)間與距離的青澀愛(ài)情與成長(zhǎng)故事。
光榮何價(jià)
大衛(wèi)·卡拉丁,Ronny Cox,蘭迪·奎德,梅林達(dá)·狄龍這部電影是伍迪·格斯的優(yōu)秀傳記,他是美國(guó)最偉大的民謠歌手之一。他在上世紀(jì)30年代離開(kāi)了自己位于得克薩斯州的家,去找工作,發(fā)現(xiàn)了美國(guó)工人階級(jí)的苦難和力量。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster